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Samsung Pakistan Showcased Its Knox Business Solutions, New Galaxy Z Series, Multi-device connectivity, Neo QLED 8K & Premiere at ITCN, Asia’s Biggest Technology Expo!

Samsung made a big splash in Karachi this week as they showcase the technological innovation at ITCN, from the 24th till the 26th of August 2022. ITCN is the biggest tech festival of Asia, happening in Karachi which is a unique platform that provides an opportunity for the entire tech ecosystem of Pakistan to gather under one roof. This event provides a comprehensive platform to showcase solutions with the use of best technology and innovation.

Samsung, the number one tech company in Pakistan, has set up their experience-zone at the expo to display their devices & enterprise security solutions to thousands of potential buyers and consumers. The experience zone focused at the Samsung Knox solutions, latest flagship phones; Galaxy Z Flip 4, and Galaxy Z Fold 4 along with Neo QLED8K, Premiere & multi-device connectivity experience.

Samsung

samsung

Knox Suite is an all-in-one package that includes Knox Platform for Enterprise, Knox Mobile Enrollment, Knox Manage and Knox E-FOTA. Knox Platform for Enterprise provides defense-grade security and management features meeting the most stringent security requirements and standards. Whereas the Knox Mobile Enrollment provides the most automated and efficient way to make device enrollment easier for both IT administrators and device users. Knox Manage monitors and manages a fleet of devices remotely and secures corporate data across multiple operating systems and the Knox E-FOTA remotely controls OS version on devices without end-user interaction, enabling seamless update to fully tested version on time.

Samsung

Samsung believes that software isn’t enough, though, so Samsung builds security into the hardware of Galaxy devices as well. The most recent development on that front is the Knox Vault, which combines a Secure Processor with a Secure Memory Chip, which keeps sensitive information separate from the rest of the device. This feature makes Samsung devices stand out from its competitors, by providing the best-in-class Knox technology.

Samsung

Samsung Samsung

Latest Samsung Galaxy Flagship phones have also been displayed at the experience-zone and were the center of attraction for the consumers. The Galaxy Z Fold4 does a lot in one hand with its 6.2-inch Cover Screen. In both hands, the 7.6-inch Main Screen makes it your ultimate do-more device. And when you need to go hands-free, simply set it down, find a good angle and leave it there while you get more done. Galaxy Z Flip4 is a powerful and innovative fashion accessory alongside being a smartphone. The device is compact when folded, making it more pocketable and reminiscent. Z Flip4 is crafted to go truly hands-free – doing more without ever opening the phone. Great for business or social experiences.

Samsung

Samsung also displayed its Freestyle projector, which is equipped with a built-in smart TV experience, premium 360 sound, and HDR10 compatibility. It’s designed to bring a cinematic viewing experience, anywhere. It boasts an adjustable 180-degree cradle stand to project your favorite content from a variety of angles on different surfaces. Another amazing device, the Premiere was also flaunted at the expo that uses a laser light source to offer a dramatic home cinema experience that will make you feel like you’re in a theater. You’ll get precise color accuracy, a super wide color gamut, and exceptional brightness on max 120-inch screen space. It can even play HDR10+ content. The Samsung Premiere, Get ready for a whole new home cinema experience. No matter where you sit, the 120-inch wide screen immerses you like no other, while crystal 4K resolution gives your eyes the incredibly crisp images and optimized color expression they deserve. See all the subtleties revealed in every scene.

Samsung

Samsung’s 2022 Neo QLED features Eye Comfort mode, which automatically adjusts the screen’s brightness and tone based on a built-in light sensor and sunset/sunrise information. As the ambient light changes, the screen will gradually reduce the amount of light and offer warmer tones, adjusting the blue light levels accordingly. This allows for a more comfortable viewing experience at night by reducing the blue light which may affect one’s sleep quality.

Samsung

Samsung Pakistan is also showcasing their unique and amazing multi-device experience through which it aims to deliver the best interconnectivity of its Samsung devices; television, buds, watches, tablets, phones, and monitor screens. Samsung Pakistan is targeting its customers by providing them the advantage of a divergent product lineup.

At the booth, famous techies and multiple renowned people were spotted trying out the innovative products and Knox business solutions.

 

Samsung Samsung

 

Sarsabz Kahani launches ‘Khaki Desan’

The nostalgic memories of our mothers opening rustic family trunks and taking out hand-knitted khaees and dariyan made from indigenous cotton and proudly setting those up for guests have become a thing of the past. However, to try and revive this lost cultural heritage and tradition, Sarsabz Fertilizer recently released the second episode of its Sarsabz Kahani web series titled, ‘Khaki Desan’, which focused on the true story of Jugnu Mohsin, a renowned entrepreneur and public figure, who realized the dearth of good quality local cotton and the dying breed of Khaki Desan which nobody was striving to preserve.

Sarsabz Kahani’ is a strategically-driven initiative which highlights inspirational true stories of farmers (men and women) passionately fond of their motherland and the cultural heritage it possesses. It is a tribute to their bravery and resilience of their hard-work and to the pivotal role they play in the national food security and the economic uplift of our country.

Khaki Desan – named after a local breed of cotton which was popularly grown in the past, especially in the subcontinent particularly in the rural communities to make hand-knitted khaees and dariyan – is a purpose-led initiative between Sarsabz Fertilizer (a brand of Fatima Fertilizer) and Jugnu Mohsin. The series focuses on the decline of cotton production in Pakistan which is detrimental to our economic stability.

According to Rabel Sadozai, Director Sales and Marketing, Fatima Fertilizer, “We believe in promoting marketing initiatives that are purpose-led and that help establish a better understanding of the broader issues faced by our society, which directly impact our economic and social fabric.”

The Khaki Desan campaign, she says, has a multifaceted quality to it. Firstly, it helps bring attention to the important issue of cotton’s recent decline in production. Secondly, it highlights the crucial significance of cotton for our country’s economic revival as well as community support.

In the good old days, the cotton harvest season was celebrated with great festivity and fervour across the cotton belt, which is now mainly sugar cane and rice, dotted with abandoned cotton ginning mills and scattered housing societies. Sadozai believes, keeping in view the recent decline in cotton production and the preference of farmers for harvesting other crops to earn a better profit, the Khaki Desan campaign appeals to the relevant stakeholders in our government to consider formulating a clear policy that favours the revival of cotton production.

Sarsabz Kahani launches 'Khaki Desan'

Jugnu Mohsin – a leading Pakistani woman enterepreneur, politician and journalist realized the scarcity of good quality local cotton in the country and the inevitable death of Khaki Desan and decided to intervene. Hence Fatima Fertilizer decided to collaborate with her to harvest the finest crop of Khaki Desan cotton with the purpose of creating an exceptional quality of khaddar, a hand-spun and woven cotton cloth.

Fatima Fetilizer also extended unravelling financial assistance to Jugnu Mohsin in setting up a training centre under the name of ‘Haveli Crafts’ in Sher Garh, Okara District, with an aim to re-engage and empower a community of thousands of rural women in the centuries-old craft of cotton spinning and weaving.

(Sarbsabz Kahani’s first episode ‘Nazo’ also highlighted a similar brave woman from Sindh, who sacrificed a great deal to protect the piece of land she called home. She battled dacoits and personally fought off several attempts on her agricultural land – often armed with just a single Kalashnikov – while also managing to raise four children and ensuring that her land remains productive and profitable.

Fatima Fertilizer also holds the honor of proposing to celebrate Pakistan’s first-ever official Kissan Day on December 18, 2019 which was officially recognized and endorsed by the Government as well.)

According to Fatima Fertilizer, such campaigns that have a purpose or a strong social message are highly celebrated nowadays since they resonate strongly with a large audience due to their cultural relevance and the social and economic insight they offer. They address broader issues faced by society and work towards bringing positive change through instilling realization and influencing its target audience positively.

The downfall in cotton production is currently a major issue, attributed to several factors including environmental changes, cotton crop’s competitive loss in comparison to other major crops, particularly sugarcane as well as inconsistent policy support. As per the Pakistan Bureau of Statistics, in the past 10 years, cotton production has almost halved from 13.6 million bales in 2011/12 to about 7 million in 2020/21. Cotton crop yield is faced with many challenges including a significantly reduced crop area, inconsistent gas supply to fertilizer plants resulting in limited availability of locally produced urea, and increasing cost of farm inputs for an already burdened farmer due to high market inflation.

The State Bank of Pakistan (SBP) has reported that the crop area of cotton has significantly reduced to 2.2 million hectares, the lowest since FY82, which has also severely affected the crop’s overall yield and production.

Furthermore, there are also issues of pesticide adulteration, which means the pesticides available are either adulterated or too expensive for farmers, increasing their cost of production and putting the cotton crop at a severe vulnerability against threatening pest attacks. Poor quality of seeds is an added challenge that hampers the revival of cotton production.

Lastly, Pakistan Kissan Ittehad (PKI), a representative body of Pakistani farmers, raised concerns in March 2022 over the issue of tractor shortage and other farm machinery in the market which negatively affected cotton sowing and wheat harvesting at that time.

Fatima Fertilizer has been actively engaged in promoting awareness about these challenges, and the company is actively working on the agenda of helping modernize the country’s agricultural sector by forging international alliances, as well as promoting technologically driven solutions to help farmers overcome their current challenges, such as Sarsabz mobile app, to educate farmers on useful topics related to farming and how to access the market and financing; Sarsabz Assan, to facilitate all Sarsabz dealers with convenient online stock booking, monitoring, managing and giving quick payment gateway solutions to save time and effort; and Electronic Bank Guarantee for Sarsabz dealers, that supports green solutions to protect the environment and efficiently steps away from the traditional stamp paper-based bank guarantees to a completely digital Swift code based transaction.

However, the company believes that more should be done at the government level to increase the production of cotton, such as reducing the farm input costs to increase the cultivated area and offering more subsidies to make fertilizer accessible so that farmers can utilize it for better yield.

“There should be increased research spending on developing high-quality seed varieties to combat water scarcity and pest attacks, policies to support cotton farmers to allow them to earn a good return on their investment so that those who have converted to sugarcane or rice can revert back to cotton harvesting,” says Sadozai.

She also stresses on the involvement of the textile sector in making this policy and they should be encouraged to not just be a sourcing hub for global brands but to market their own brands around the world, proudly claiming them to be made from the finest Pakistani cotton.

Sarsabz Kahani’s both short films were promoted on traditional and digital media on Eidul Azha.

Earlier, in March 2022, Fatima Fertilizer also hosted a special panel discussion at the Pakistan Pavilion of Expo 2020 Dubai with the purpose of celebrating exceptionally inspiring Pakistani female farmers. The protagonist of Sarsabz Kahani’s first short film, Nazo Darejo, was also invited as a guest panelist at this event whereby she narrated her inspirational story to an international audience.

Going forward, the company is producing a third episode of Sarsabz Kahani, which will highlight a story related to Kabadi, a cultural sport of Pakistan which is most popular in our rural areas, especially amongst the farmers community.

“Sarsabz Kahani is a perfect example of a marketing campaign which is based on the human values of empathy, care and long-term commitment to its adopted purpose, hence we, through this platform and its short films, will continue to speak to a wider audience in the country to amplify these tributes,” concludes Sadozai.

SIUT Pays Tribute To It’s ‘Not So Rich’ Donors

The Sindh Institute of Urology and Transplantation (SIUT), on completion of its 50 years in 2022, released an inspirational campaign. Instead of focusing on their patients and their treatments, this time the hospital highlighted the role of donors – who donated little but regularly – in making SIUT the success it is today. The TVC released for the campaign recounts the story of one of them.

According to Saima Saleem, Creative Director and Filmmaker, Azad Films, she learned about this particular donor while sitting in SIUT’s accounts department one day. While going through the records, the team discovered a donor who had been donating PKR 1.50 every month to SIUT for decades without fail. Although he had stopped donating for a few years now, she found the insight interesting.

Though the SIUT could not find any information on the donor, “because, firstly people who donate usually do it anonymously, and on many receipts, we find written ‘Allah ka Banda’ or Aik Musalaman’. Secondly, since this particular person began donating during the 70s, there was no way we could track him since we did not have mobile phones or Facebook back then,” she says.

They also discovered that his last few donations were given through deposit slips, “and we know the banks charge deposit fee, which would have been more than the donation amount, so, what piqued our curiosity was not the money he gave every month but his commitment to the cause and this is what prompted us to make him the subject of the TVC and also pay tribute not only to him but hundreds of similar donors like him we found in the records, who donated PKR 100/150 or PKR 300 regularly for several years,” she adds.

“Philanthropy is usually associated with people who are rich and who give away great sums of money to charities, however, this gentleman and others like him prove that despite your difficult circumstances, you can still support a cause and do it consistently,” says Dr. Anwar Naqvi, Professor of Urology and a founding member of SIUT.

Hence the team decided to spin the story around the unknown yet not so rich donor, using the insight that it’s the common people who are building SIUT to mark SIUT’s fifty years.

In the TVC, the role of the donor was played by the veteran actor, Talat Hussain, with Wahaj Ali playing the grandson. Saleem says the team chose Talat Hussain because he had been visiting SIUT for some time and Dr. Adeeb Rizvi, Founder and Director, SIUT, suggested discussing the idea with him first. “We were looking for someone similar his age, and we did consider Rahat Kazmi or someone similar from the past, but we thought it would be easier to discuss it with Talat sahab first since he was visiting SIUT. Also, although not working anymore, no one doubts Talat sahab’s talent,” she remarks.

Talat Hussain readily agreed to do the role. Although frail and at times forgetful, Saleem says Jami (Jamshed Mahmood), CEO, Azad Films and the director of the TVC handled Talat sahab very sensitively.

Fortunately, there are various SIUT buildings that depict different eras of Karachi. All locations shown in the TVC are of the hospital and its neighborhood – one of the oldest areas of Karachi. However, the challenge was to show the 70s era and SIUT’s initial years, the people and how it functioned.

“Our OPD building is over a hundred-years-old and we converted its first floor to an eight-bed ward, and ensured that we hid SIUT everywhere, because at that time SIUT did not exist. We also somehow managed to find old beds”, said one of the SIUT staffers.

The TVC was shot in three days. Saleem says since it was not a commercial project, the budget was limited and it could not be extended beyond three days, hence everything had to be planned beforehand and efficiently so as not to waste any resources.

“We realized that the money being spent on this campaign could have been spent on treating several patients, and this realization motivated us to work as diligently as we could. Jami came daily to do his research and locked his shots, which we later transformed into the TVC.”

She further says it was a tremendous team effort since everyone including Jami, Wahaj, Talat sahab, Abida Parveen as well as Coke Studio, came together and volunteered for a good cause and none of them charged a single penny. Mariam Azmi, stylist, Independent Films also volunteered and provided the right wardrobe for people to depict that era.

Dr. Irfan Rizvi – Dr. Adeeb Rizvi’s son – played the role of the young Dr. Rizvi of the 70s.

The campaign was shared on all mediums including TV, radio and digital and according to the team, the response to the campaign has been exceptional. “Whoever watched the TVC, said it brought tears to his/her eyes and that it was very emotional. Moreover, and most importantly, the campaign also had a positive impact on the donation. “The older generation is well-acquainted with SIUT and its services, but it was refreshing to see people between the age bracket of 25-40 also donating this year. They are now also looking at SIUT as an institution to serve,” says Saleem and adds that this is why the team chose Talat sahab and Wahaj because we wanted to bring all generations together to carry forward SIUT’s mission.

SIUT’s unique model – a government-community partnership, where doctors are the chain in the middle and enablers for both to come together – is replicated today by various other charities and trusts.

Although their forte remains urology and transplantation, today, under its roof, SIUT provides all services for patients from ophthalmology, neurology/psychiatry, dental, gastroenteritis, pulmonary etc.; with gynecology as its recent addition. It caters to patients from across the country and outside. Their expertise and specialization is acknowledged internationally and teams from around the world visit SIUT regularly for trainings including doctors from UK, Italy, Switzerland, Nepal, Sri Lanka, Sudan and Somalia. “This is because there are so many services, and here the volume of patients they are exposed to, helps them gain experience in a shorter amount of time. We deal with two to three transplant surgeries on a daily basis,” says Dr. Naqvi.

Apart from the hospital, SIUT also runs an educational institute, and all the hospital staff is trained in-house. The institute offers a four-year course in Nursing as well as Technologies (lab-tech, operation theatre, radiology etc.) free of cost to all its students. The educational institute also houses Pakistan’s first bio-ethical training center, affiliated with WHO.

SIUT is also running its robotic surgery and training center, where over a thousand surgeries have been performed. Terming it the ‘the surgery of the future’ Dr. Naqvi says the excellent magnification and precision of robotic instruments enable human surgeons to perform surgeries efficiently. There is less blood loss, limited risk of infections and shorter stay at the hospital for patients.

Going forward, SIUT is working on setting up their campus in the Education City Karachi, on a strip of land linking National and Super Highway and building a children’s hospital, where all issues related to children will be tackled, including transplant, cardiology, nephrology etc.

Mobilink Microfinance Bank turns 10

ANUSHA ZAHID: How has Mobilink Microfinance Bank Limited (MMBL) evolved over the past 10 years?
GHAZANFAR AZZAM: The microfinance sector has witnessed phenomenal growth in the past few years, primarily because a major proportion of Pakistan’s population consists of middle or low-income strata with no access to formal financial solutions. On the other hand, technological advancements have led to evolving market needs for accessible and affordable financial services for the unbanked. MMBL, over the past decade, has been committed to fostering financial inclusion through various offerings. The Bank has introduced multiple innovative and customized digital and financial initiatives, such as digital onboarding of customers, self-service banking through the DOST App (available on both iOS & Android), Website Internet Banking, the Women Inspirational Network (WIN) program, and the Humqadam program to provide employment opportunities to the differently-abled, etc.

While addressing the challenge of having more people financially included, MMBL also contributed a publication, ‘9 Point Agenda for Financial Inclusion’ that focuses on facilitating access to financial capital to all segments of the society, especially women, Small and Medium Enterprises (SMEs), and farmers. The policy document comprises recommendations for various stakeholders such as financial institutions and regulators that can support the vision of making Pakistan financially inclusive.

ANUSHA ZAHID: Who is your target audience? And how has it changed over the last decade?
GHAZANFAR AZZAM: MMBL strives to include the 100 million unserved and underserved individuals under the umbrella of financial inclusion.

As of today, the Bank has over 40 million registered customers, including 15 million monthly active digital wallets. This number is steadily increasing every day, maintaining our position as the largest digital bank in Pakistan.

Our target audiences are farmers, low-income households, women, differently-abled individuals, small businesses, and anyone and everyone who needs small loans to diversify and expand their businesses, even in the remotest parts of the country. With the ever-growing rate of mobile phone penetration in the country, it is more evident than ever that people crave, above all else, the convenience and swift access that comes with digitized financial services.

ANUSHA ZAHID: In your opinion how important has been the role of Fintech in speeding up financial inclusion in the country?
GHAZANFAR AZZAM: Without a doubt, microfinance institutions and Fintechs have played a key role in speeding up financial inclusion. Fintechs have not only revolutionized the banking sector in Pakistan, but they have paved the way for introducing new and innovative digital financial solutions aimed at improving user experience and expanding outreach. With the help of affordable and accessible financial services, Fintechs facilitate middle and low-income households to enhance their financial condition and improve their overall standard of living. It is safe to say that Fintechs are proving to be a game-changer for promoting financial inclusion. Furthermore, with the digitalization of the global financial industry kicked into high gear during the pandemic, we introduced customised and innovative digital financial solutions to ensure that we provide our customers with the best possible services.

ANUSHA ZAHID: What is MMBL’s competitive advantage?
GHAZANFAR AZZAM: Women constitute over 49.9% of Pakistan’s total population, and the country cannot flourish without their active participation in the economy. Therefore, including women in the financial ecosystem is the need of the hour, and MMBL is dedicated to uplifting women and women-owned businesses through easily accessible and exclusive digital financial solutions, tailor-made for them.

More than 20% of MMBL’s borrowers comprise women, and our target is to increase this percentage to 25% in the coming years to ensure inclusive and balanced growth.

ANUSHA ZAHID: How do you reach out to rural clients?
GHAZANFAR AZZAM: With 105 physical branches and a widespread network of over 180,000 branchless banking agents, MMBL has expanded its footprint across the country. Moreover, we have recently introduced digital onboarding of customers, digital payments and processing of loan applications made accessible via our DOST app, which helps us reach our target market even in far-flung areas. Our self-service banking channels, phone, and WhatsApp helplines are available 24/7 to assist customers on the go.

ANUSHA ZAHID: Have you introduced any new banking products on your 10th anniversary?
GHAZANFAR AZZAM: In our 10th year of operations, we have introduced digital onboarding of customers, DOST Code (a USSD service), DOST Muhafiz (an e-health insurance service), and an array of other products and services, all with the same aspiration to financially include more and more people in the coming days across the country. We are constantly partnering with like-minded organizations to broaden the horizon of our services and maximize outreach across the country so that millions can benefit through value-added services and features. Our recent collaboration with Digit will let MMBL customers buy subsidized feature/smartphones with DOST app pre-installed to start banking right away.

ANUSHA ZAHID: MMBL has retained a ‘positive outlook’ as per PACRA within the microfinance industry. What do you think are some of the factors behind this success?
GHAZANFAR AZZAM: MMBL is the only microfinance bank in Pakistan – and one of only two in both the microfinance and commercial industry – to consecutively secure a “Positive Outlook” credit rating from Pakistan Credit Rating Agency (PACRA) for two years. A critical factor behind MMBL’s success is the digitalization and diversification of its products and services portfolio and our customer-centric approach, enabling us to lead the digital banking sphere.

ANUSHA ZAHID: How do you gauge the success of MMBL?
GHAZANFAR AZZAM: Serving over 40 million customers, including 15 million-plus monthly active mobile wallets, MMBL is continuously striving to promote financial inclusion, to empower all, especially SMEs and women. In 2021, we trained 500+ women entrepreneurs nationwide on financial literacy and business fundamentals. In addition, MMBL’s Bint-e-Hawwa is a unique offering aimed at financially empowering women from all fields and backgrounds. Within a year of the product launch, the Bint-e-Hawwa deposits and saving accounts recorded over Rs183 Million, while over Rs3.5 million was disbursed. Such numbers are very encouraging, and they challenge us every day to cater to this segment even more in the coming years.

Moreover, the quarterly reports issued by the Pakistan Microfinance Network (PMN), the national association for retail institutions in the microfinance industry, have also highlighted some of our key indicators as a market leader in digital banking.

ANUSHA ZAHID: How have your marketing strategies evolved? Which mediums did you use earlier, and which ones are you utilizing now to market your products?
GHAZANFAR AZZAM: Customer outreach is one of the oldest, simplest, and most effective marketing strategies, which helps educate the masses and create awareness about our diverse product portfolio. Other than the traditional marketing media mix, which includes television, radio, newspapers, etc., we are also capitalizing on the power of social media and digital technologies to reach our target market.

ANUSHA ZAHID : What would you say the major challenge is when it comes to marketing microfinance products? How has it changed with time?
GHAZANFAR AZZAM: The main challenge of marketing microfinance products is the lack of financial awareness and consumer trust. Financial literacy plays a critical role in creating awareness and educating the masses on being truly empowered. It helps reduce any misconceptions about financial products or services and the safety of their hard-earned money. This factor has improved over time as our target audience is more informed via social media and other communication channels, where best banking practices and safety alerts are shared continuously to enable them to use more and more financial products and services without any fears and doubts.

ANUSHA ZAHID: What are some of the opportunities for the microfinance sector in Pakistan and could you give a few suggestions that could help the sector realize its potential?
GHAZANFAR AZZAM: Opportunities are specific to regions and depend on the stage of development of the microfinance sector in the area. The most crucial challenge is to overcome barriers that hinder our goal of delivering accessible financial services to Pakistan’s unbanked population. Lack of access to financing creates an opportunity in itself. Our goal is to provide premium financial solutions coupled with value-added services to the marginalized segments of society and fill the market gaps that have existed for decades.

ANUSHA ZAHID: What are MMBL’s growth plans for the next five years?
GHAZANFAR AZZAM: The future holds a lot of potential for microfinance as business and technology continue to evolve. Given the prospects, we have set ourselves ambitious targets of expanding our customer base and banking portfolio, using the power of digitalization in all key business operations.

We will continue with our efforts to enable and empower communities, including individual borrowers, women, and SMEs (operating in agriculture, farming, retail, and technology services, etc.) with the introduction of more and more customized digital financial products and services. We will continue to build partnerships to bundle value-added services in our overall goal of promoting financial inclusion for all. Lastly, we will continue to invest in and develop our incredible MMBL family in expanding their skill sets to adapt to the changing business requirements to help scale our operations effectively and efficiently.

POND’S Taps into Hydration Category

One of the household names in the skincare industry of Pakistan and one of the oldest serving brands in the skincare and moisturizing category across the globe, POND’S recently launched ‘POND’S Light Moisturiser’ a non-sticky formula infused with vitamin E and glycerin, which gives users a non-oily yet hydrated skin throughout the year – “bina chip chip soft skin”. 

Talking about the new launch, Ramsha Kazmi, Brand Lead, POND’S (Unilever), the brand has a solid growth trajectory and is now the leading brand in the hand and body category, as well as face cleaning sub-category and has an eight percent share in the skincare category. However, she adds that 70% of the skincare category in Pakistan constitutes face creams which are more focused towards ‘brightening’ – this is the biggest demand space today. 

Following a re-evaluation of the demand space conducted in Pakistan, Kazmi says there are spaces outside of ‘brightening’ that are attractive and growing. According to her, hydration is globally the biggest demand space in face creams, growing across markets, and is the number two demand space in South Asia and in Pakistan. Hence, there is an opportunity for POND’s to grow in this category. “POND’S has a heritage and equity in moisturization, with its lotion and cold cream legacy, thus POND’S aims to lead the light moisturization and hydration trends in Pakistan,” she says.

 

 

The target market for the recently introduced POND’S Light Moisturiser is younger women as they tend to prefer lighter sensory formulae which can be easily used throughout the year. The product is launched in one SKU, a 75g tub, priced at Rs. 320. The packaging colors and format have taken cues from moisturization and hydration to incorporate shades of teal and blue. 

The competition for this product is all lightweight formulations in the market such as Nivea Soft. 

Kazmi says the product has been garnering positive product feedback as an all-season daily moisturizer, by driving the relevance of its non-oily, light sensory formula. The brand has an integrated marketing plan to reach consumers at all relevant touchpoints. “This launch aims to tap into the fast-growing-all-year-round moisturization segment. This has been incorporated in our TVC which brings POND’S Light Moisturiser to every household in Pakistan,” she adds. 

The campaign for the new product took off with the new POND’S girl (Yumna Zaidi) in playful communication. The launch was also marketed on digital, OOH, and in stores all across the country. 

Going forward, Kazmi says POND’S product philosophy will imbibe not just the functional promise but also complement the emotional engagement the brand wants to have with its audience through the venture into this new demand space. 

“POND’S aim to bring disruption in mass moisturization through a completing proposition, based on strong relevant consumer insights as well as trendy innovations and formats,” says Kazmi. 

Telenor More se Zayada Commercial

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Although a host of campaigns are created, very few leave their mark with their brilliant concept, immaculate execution and superb visual strategy.

So what is it that makes one campaign a success story and another, a tale of disaster? To assess the causes that determine the fate of a concept, we took critical evaluations from advertising professionals on the Telenor More Se Zyada series of TV commercials.

Following is their analysis on how they view it.

RAFAY A. KHAN
Senior Creative Manager
MANHATTAN COMMUNICATIONS

I believe cracking a BIG IDEA is just the beginning and we see brands coming up with new ideas all the time but they are unable to sustain them after one to two pieces of communication.

Yet Telenor’s BIG IDEA “More Se Zyada“, has given a series of substantial campaigns, and with every ad, it seems that the agency’s grip is getting stronger on the idea and the latest campaign #MoreSeZyadaFaida is proof of that.

A crisp and captivating series of ads, I will go as far as to assume that it must have excited the director equally when the agency board landed in their inbox. Starting from a good setup to a mysterious background score to the parrot’s extraordinary performance achieved through animation, everything was in harmony. The film was in the director’s control and was delivered the way it was supposed to be with good production values. This campaign surely has been a defining one for further #MoreSeZyada campaigns and has become even more scalable. The campaign is memorable, leaves you smiling, and separates itself from the other ads popping up in my social media feed and TV at the moment.

ASRAR ALAM
Head of Ideation
STARCREST COMMUNICATIONS

Thinking outside the box and pushing creative boundary is every creative professional’s dream in advertising, and this ad is a fair example of creative freedom. My only concern is, it would have been a great piece of communication if it was based on a category-related consumer insight. And yes, the parrot’s voice is weirdly human. Remember when Rocket Racoon speaks in The Guardians of The Galaxy, it does sound like an animal, not Bradly Cooper himself. That’s the minor details of production we always miss in our industry.

JAMAL DURRANI
Associate Creative Manager
SYNITE DIGITAL

#MoreSeZyada series of Telenor ads have proven that it’s not just about creating a service that exceeds expectations but also creating a series of ads that do the same. Telenor achieved this through a striking story, with a major fun twist that puts a smile on my face every time.

The first indication that an ad works is its simplicity in conveying what it’s selling. The Telenor ads do this in a very unique and entertaining way, this time through a visual metaphor. The girl can’t afford the exotic parrot, hence ends up bringing home the common parrot with hardly any expectations. The parrot’s sudden outburst in song, poetry, and commentary set an example of how a customer always gets more than what they pay for with Telenor.

The second most important factor for an ad to be memorable is its characters and the copy. In this regard, Telenor has created a unique experience. The main character i.e. the parrot is the star of the show. Its dialogue and line delivery takes us all by surprise. Then there is also the cultural connotation of the parrot. Most Asian cultures consider parrots to be bearers of good news and good luck. This adds an extra layer to the ad itself.

Ads like these set industry standards and force everyone else to step up their game. Let’s hope we see other brands follow and create unique ways to advertise their products and services.

USMAN KARIM
Head of Digital Media/Digital Media Lead
ORIENTM MCCANN

Watching this ad, I wanted to understand if it really is effective to feature parrots in ads, especially when the target audience comprises of adults.

I felt that the talents, Fahad Mustafa (aka Mitthoo), and Saheefa were underutilized. Sound dubbing could have been better and Mitthoo needed to sound more like a parrot. Also Mitthoo’s lines could have been much more engaging and catchy to register the tagline or the brand’s message with the audience. Overall the ad could have been a lot more engaging in my opinion.

Overall, I could not help thinking and questioning: Has the Pakistani advertising industry found its next superstar in Mitthoo after Fahad Mustafa? The irony: Voiceover for Mithoo has been done by none other than Fahad Mustafa!

Tracking Commercial Broadcast – TV Advertisement Tracking Overview – Jan to Dec 2018

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The infographics are based on the data collected and provided by Media Monitors Pakistan.

IMPORTANT TO NOTE:

  • The following analysis is based on 98 satellite TV channels.
  • The airtime is based on pure advertisements only i.e. TV commercials and break bumpers. Other branding such as logos, scrolls etc. are not included.
  • Only commercial airtime (CAT) and spend is included. The FOC (free of cost) public service messages on Diamer-Bhasha and Mohmand Dams Fund are not included in the analysis.
  • For spot frequency, the unique copy size is considered a single ‘spot’.
  • The data used is from January 1, 2018 to December 31, 2018.
  • First, second, second last and last positions are considered Premium Spots.
  • Error margin for data is +3%.
  • Figures are rounded off to the nearest digit.
  • Spend is calculated on assumed rates by Media Monitors based on media tariff cards.
  • 5% increase is assumed for a year on year spend calculation.

TOP GENRES ON COMMERCIAL AIR TIME (CAT)*
News was the most advertised genre for advertisers, followed by Entertainment.

TOP TV CHANNELS
Total TV Channels: 98
Total CAT Minutes: 4,517, 823
Abb Takk News leads the list with 139,000 minutes advertised during 2018.

TOP GENRES: NUMBER OF BRANDS ADVERTISED
News genre got advertised the most with 1,413 brands choosing it for their campaigns throughout the year.

TIME BAND ANALYSIS
The most advertisements were run during the Prime Time.

TIME BAND ANALYSIS: NUMBER OF BRANDS ADVERTISED
The highest brands were advertised during the evening time band, from 5pm to 6.59pm, amounting to 1,544.

CAT MINUTES IN 2018: QUARTERLY BREAKUP
The highest CAT was recorded during the second quarter in 2018.

CAT MINUTES IN 2018: MONTHLY BREAKUP
The most CAT minutes were recorded in the month of April 2018.

TOP ADVERTISERS: CAT MINUTES AND SPOT FREQUENCY
Unilever Pakistan advertised the highest during 2018.

TOP BRANDS: CAT MINUTES AND SPOT FREQUENCY
Surf Excel advertised the highest in terms of CAT minutes as well as number of spots.

TOP CATEGORIES
The FMCG category was the highest advertiser.

5-YEAR ANALYSIS: NUMBER OF BRANDS ADVERTISED
2014 recorded the highest number of brands advertised during the year, followed by 2017.

5-YEAR ANALYSIS: CAT MINUTES
The most change was recorded between 2014 and 2015, when CAT minutes increased by 17%.

5-YEAR ANALYSIS; ADVERTISING SPEND
Highest spend increment was recorded in 2015, when the ad spend increased by 11%.

5-YEAR ANALYSIS: CATEGORY SHARE OF ADVERTISING SPEND
The FMCG category, which spends the highest on television, reached its peak share in 2017 with 71% ad spend.

ABOUT MEDIA MONTITORS PAKISTAN
Media Monitors Pakistan is the sister concern of Medialogic Pakistan. Media Monitors is an advertisement tracking company which provides monitoring service for more than 80 TV channels being viewed in Pakistan.

Video Viewing in Pakistan: A YouTube Feature

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PAKISTAN: KEY MACROECONOMICS TRENDS
Source: YouTube profiling study, Kantar TNS, Pakistan, October 2018. 

WHAT YOU-TUBE IS TO PAKISTANIS?
Source:
Pakistan Millenial Study, Ipsos, “Getting Closer to MENA’s Generation Y”, March 2018. 

TOP 8 CONTENT CATEGORIES ON YOU-TUBE IN PAKISTAN 

Our YouTube profiling research shows that although YouTube only became available again in Pakistan a couple of years ago, it’s already established itself as the favorite online video destination of the country.
Matt Beal, Senior Consultant at Kantar TNS.

 

MOMENTS THAT MATTER: ADVERTISING TO PAKISTAN’S YOUTUBERS
Source: YouTube Profiling Study, Kantar TNS, Pakistan, October 2018.

TIPS FOR MARKETERS:

  • Be there: YouTube is the preferred online video destination for consumers in Pakistan. Without a presence on Youtube, brands are missing the chance to connect with consumers in an immersive and interactive way.
  • Be Balanced: Research shows most consumers watch TV and YouTube content at the same time. So instead of thinking of your video spend as an either-or split, shift toward a digital budget that complements your TV strategy.
  • Be relevant: Smart, relevant messaging with a strong call to action at the right time can influence consumer decisions and behavior.

YOU-TUBE ADS 
LEADER BOARD PAKISTAN 2018

 

KEY TRENDS FROM LEADERBOARD:

  • Made for digital: Unlike in the offline world where space and time is limited, YouTube offers brands and agencies a creative canvas, allowing them as much or as little time as they need to tell their story in whatever form works best for their message. Long-form or short-form works equally well as long as they are engaging, and YouTube ads allow creativity to flow as the narrative requires.
  • YouTube works alongside TV: Most consumers watch TV and YouTube content at the same time. Instead of thinking of video spend as an either- or split, advertisers should shift towards a digital budget that complements TV strategy. Since recent, YouTube has become a part of many Pakistanis path to purchase- to research, compare and talk about products and services before making a purchase. For businesses to succeed, they need to be where consumers are in the moments that matter.
  • Millennials spend time on YouTube: Many of the ads are catered toward millennials, including those with strong female leads across the ads that populate the leaderboard. People experience YouTube socially, and users watch content together and share videos with other users.

These trending ads and branded content are a reminder of the amazing creativity alive today in the Pakistani advertising industry. These videos show that it’s not only new technology, but also the art of storytelling that creates a winning combination. YouTube offers brands a creative canvas to tell stories that resonate with consumers in whatever shape best fits them.
-Farhan Qureshi, Regional Head at Google Asia Pacific.

Do Not Read if You Have No Courage and Still in the Media

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I have been a part of the media industry for over 15 years now and I am witnessing the sinking of this ship due to our inefficiencies and self-interests, including those of my own.

The responsible people are not raising their concerns, nor are their deeds translating into actions that can create some positive ripples in the industry and work towards its revival. Rather, the industry seems to shrink more each year, resulting in the current devastating situation that will eventually make the whole media fraternity suffer.

The big guns, including broadcasters, media houses, clients etc. are busy misusing their powers, addicted to serving their self-interests by hook or by crook. Hence, the question is, will we wake up when the industry has shrunk from Rs. 60 to 70 billion to Rs. 6 to 7 Billion?

I am witness to people suffering from low job security in all key operational areas while working under highly over burdened circumstances. This is prevalent even in big broadcast and media houses which might result in the entire ecosystem collapsing if we continue to ignore it.

My questions, therefore to all our Media Gurus running the industry are: Do you really think it is alright not to expand ADEX (Advertising expenditure) or create more employment (as a result)? Is the media environment synchronized? Do you not realize that human resource has an integral role in the service industry? Do you not see that the entire ecosystem needs to evolve? Would you actually be comfortable in not future? What contingency plans do you have? What legacy are you leaving behind for the next generation who will end up crying for crucial resources and may find it better to distance themselves from the industry?

For God’s sake, answer these questions to your own self at least.

There is a famous verse by Maulana Zafar Ali Khan,

Khuda nay aaj tak uss qaum
ki halat nahin badli,
Na ho jis ko khayal aap
apni halat kay badalnay ka!

Contextually meaning that God does not change the destiny of people who are not bothered about their fate. Not to forget that it is also God’s system that our action gets reciprocated; we reap what we sow.

I firmly believe that NOTHING IS IMPOSSIBLE
I am putting across a few issues here and I am confident that if influential people from our industry take on one issue each and work on corrective measures, collectively, it will be a positive transition for the industry.

1. First and foremost, the entire ADEX is in the hands of just two media houses, which has resulted in them taking over the entire ball-game, blackmailing and dictating terms in the process. They misinterpret the actual ADEX inflating it for their own benefit, which no advertiser is able to genuinely evaluate. Trust me, those advertisers, who think that they are getting the best rates for their media plans from these houses, are living in a fool’s paradise. Secondly, advertisers do not get the services they deserve. Usually, two or three people deal with a plethora of clients in a limited salary, which results in frustration that restricts them from conducting valuable and productive conversations. In fact, in a number of cases it leads to harsh exchanges. Unfortunately there are no communication or media guidelines that clients and media houses can refer to, and hardly any strategic discussions apart from those related to pricing. Hence clients suffer badly. Thirdly, these media buying houses recruit fresh MBA’s and assign them key portfolios, even though they are not aware of the basics of media and client handling to keep operational costs low: They lack flexibility and are stubborn which reflects in their people management. They want instant promotions and believe that they can get to the CEO slot in the next two to three years, all the while lacking maturity. Also, they are hardly shy of having any sort of ‘lifestyle-enhancing’ experiences, which according to them help them ‘stay in the game’. However, in the past, we have witnessed dedicated, hardworking and experienced people who were flexible and whose top priority were clients. I agree that fresh talent is important, but experience can never be substituted. Lastly, broadcasters are hardly ever able to maximize their profits by selling their productions since the price they get is much lower than the cost incurred. Here, the media buying houses instead of mediating between client and broadcaster complain along with the client that local broadcasters do not produce good content, which forces which forces them to divert ad revenue to non-Pakistani content.

2. If ADEX was to be distributed among 8 to 10 agencies, chances are nobody will be able to dictate terms. Consequently, in addiction to creation of more employment, our industry will grow since then other agencies will have to step up in terms of competence; they will have to hire experienced and ‘clean’ staff and train those they employ. Taking such measures will also be more convincing for advertisers or else the survival of the agencies will be at stake.

3. Some TV channels took the initiative of bringing in foreign properties like Pakistan Idol, Master Chef Pakistan etc. for local audience. Executed with the help of foreign staff, to me, they were excellent local productions. These programs provided a platform for numerous integration opportunities for brands, however advertisers chose not to pay due premiums merely because they have been trained to meet only the stiffest CPRP numbers. The question is, can they really gain brand equity by just chasing GRP and CPRP numbers, instead of focusing on the overall health of the brand, its salience, top-of-mind (TOM) effect etc?. Eventually, even the broadcasters stop thinking of procuring such properties when they do not see any favourable effects on their profit margins. But then again, we need such initiatives, strategic partnerships, and innovations for the betterment of our industry.

4. Clients are chasing certain KPIs only, which are derived on currency that is hardly present or being utilized incorrectly, resulting in zero innovation. Quality GRP’s and branded AFP’s (Advertiser Funded Programs) are lowest on their agenda. As I mentioned earlier, local broadcasters are no longer willing to bring international franchise properties to Pakistan (such as MasterChef, Idol etc.) because they experimented before and failed badly or faced a lack of response from the advertisers who are hell-bent on chasing CPRP’s. These days, there are certain clients who ask for additional KPI’s to be met at stiffly priced and unrealistic terms, forcing broadcasters to allocate more airtime to them. This practice is squeezing the channels’ airtime inventory that could have otherwise been used to accommodate other business opportunities. The problem is that although these KPI’s were not there before, the businesses of these clients were growing substantially. However, the broadcasters cannot upset these clients since they are key advertisers. Hence, my request to such clients is ‘Please think of our industry, reassess your approach, and if possible, support this region.’

5. Currently, those employed in big media houses and TV channels do not prefer moving to smaller organizations because then, comparatively, their exposure will be next to nothing. Knowing their employees will not take such a risk, the companies have not revised their salary structures in a long time since they know that their employees do not have many opportunities. Hence, there has hardly been any employment-related boost in our industry. This leads to my argument that if employees are rewarded appropriately, we will automatically see an upsurge of productivity in the industry because currently, employees barely have anything left after meeting their necessities, and the vicious cycle thus created has its own implications.

6. Please respect your staff. A critical complaint that I have with all broadcasters is the norm that they have created of always handing out salaries late. My question is, do you pay salaries as late to your cook, driver or maid, the way you pay to your office staff? Why can you not apply the same rule at your companies as you do at your homes? Why do you treat the company employee like orphans? They too, have responsibilities on their shoulders and houses to run: kitchen expenses, school fees etc. Do you not realize that when your staff gets late salaries, they will only be fixated on repaying their accumulated dues and credit installments? Do you not see that due to this, your own businesses will be affected when your own employees lack motivation and their productivity is at its lowest? On the contrary, if you pay them on the 30th of each month, you will see their improved involvement with work, determination and hence, better results. Therefore, my advice to you is when you are paying them 20 to 30 days late next time, calculate the opportunity cost, and then try paying them on time once, and analyze the difference. Weighing the pros and cons of both, you will see the benefits. Also,please realize, the positive word of mouth about you, as an employer, will spread instantly if you pay them on time even once.

7. Recently, we saw almost all broadcasters firing employees. My question is, why did you even hire permanent employees in the first place if you were not strong enough to retain them? Did you even give them 2 to 3 months’ severance pay for them to secure their kitchen expenses at least? Did you ever share your profits when your businesses were at their peak? Have you forgotten that there is a concept of humanity in our religion too, for God’s sake?

8. PBA, currently comprises of a few channels that have come together and formed a gang. They are trying to dictate the industry with the motive of running the entire show: misusing power to threaten and discourage new comers, maligning certain players and influencing rating systems to misinterpret ratings.

9. Medialogic, till now, is not backed by any legal or auditory body. Thankfully PEMRA intervened, which they should have done a lot earlier. The result was that we saw a sudden increase in the number of meters. However, the TV consumption patterns that emerged were entirely different, which came as a surprise. Therefore, an audit still needs to be conducted to ensure that the currency (ratings) is reported without any influence or bias.

10. Advertising agencies generally, including major ones, use the ‘zero-commission’ approach to attract clients while using backdoor tactics to make extra income. Because of this, ‘clean’ agencies get undermined. I blame advertisers for allowing this practice. They should realize it is impossible to run a business with no earnings, hence, these agencies find illegal avenues of making money. In turn, they use the ‘by hook or by crook’ approach to generate profits, using client muscles, which affects the total investment of the whole industry.

11. Channels, especially tier-2 ones, are neither relying on producing new content nor on the quality of the content they are already broadcasting.  It has become a norm where most of them are focused on extracting revenues from repeat airings. Here, I would urge the broadcasters to ask themselves: As entrepreneurs, is this ethical? Can we not learn the correct approach to doing business that will ensure long-term viability? Are we only left with low quality content for our local viewers? I believe PEMRA needs to take notice; introduce some benchmarks for airing repeat content as well as minimum requirements for fresh content, and then maintain those standards.

12. And there are times where there is no use for any KPI, and the black fish use the backdoor, accepting anything for everything. They are sitting in key agencies, handling crucial clients where they get the work done through under the table deals. To fill their own pockets, they are squeezing the share of those who deserve better. Who will interrogate or expose them?

13. Currently, the industry is divided into 90+ TV channels, 100 radio stations and 300 newspapers; out of which majority do not produce quality content. Plus, there is an absence of basic parameters as well as quality benchmarks. As mentioned earlier, entertainment channels are either relying on their old content that they produced years ago or on procuring Indian dramas because it is easy on the ROI (Return on Investments), which eventually affects our local content. Similarly, most radio stations play pirated songs, undermining those that use licensed ones. Also based on my experience, apart from the top fifteen newspapers, rest get printed only when there are government campaigns. Basically, what I am trying to convey is that in a nutshell, PEMRA should set strict guidelines for inducting new broadcasters and stringently gauge their strengths, future plans and ambitions to avoid below-par productions.

14. The radio and print mediums are dying. Unfortunately, no one from the industry is taking the initiative to save them; rather most stakeholders have been long asleep. Eventually, before they are held responsible for these industries perishing, they need to evaluate and use applicable approaches to increase engagement and interaction to revive these mediums.

The views and opinions expressed in this article are not necessarily those of the publication.