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50 Years Solid – Amreli Steels

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Amreli Steels, earlier this year, celebrated fifty years in business with their campaign 50-years-SOLID, to establish the fact that the brand has been a part of people’s lives for the last 50 years and has strengthened the foundations of their most precious physical spaces: their homes.

They believe that since the modern audiences have evolved in today’s digital age, it is a tall order for a communication to connect and resonate emotionally with customers;especially when it comes to technical products such as steel rebars, the challenge becomes ten-fold. “With this context in mind, I think we have achieved something spectacular with this recent campaign,” says Hadi Akberali, COO, Amreli Steels.

According to him, the 50-year-SOLID campaign was conceived after six to seven months of hard work and has received an overwhelming response, not just from Pakistan, but also from around the world. The plan is to continue with this campaign for 2022.

Amreli Steels, today is the go-to brand for all construction projects of big scale and repute and the most well-known steel bar manufacturer in the country. However, the brand (like any other success story) started out very small. “Steel has always been in our blood. Our family has been into the steel business since before Independence,” says Shayan Akberali, CEO, Amreli Steels.

The journey began with Akberali’s great-grandfather’s small hardware shop in India which sold nails, wires, files and a variety of building materials. The family migrated to Pakistan in 1947 from a village in Gujrat, India called Amreli. “As was the norm of the time, our family became intrinsically linked to Amreli and the family members were addressed as ‘Amreli-walas,” adds Shayan Akberali.

After moving to Pakistan, the family set up a similar retail setup in Karachi as they had previously in India. Although the ambition was to move into manufacturing, he says the conditions of the era were not conducive for steel-related industries in West Pakistan, hence the family moved to East Pakistan to set up a manufacturing unit. That was when Amreli family’s industrial journey began.

In East Pakistan, the family setup 19 companies of steel-rolling and other allied products. After the fall of East Pakistan, the family moved back to Karachi and established Amreli Steels in 1972, with a focus on producing reinforcement bars. Shayan and Hadi Akberali’s father, who is also the Chairman of Amreli Steels, led its modernization project in the 80s when he brought Pakistan’s first automatic steel-rolling mill to Karachi from the United Kingdom.

“This ambitious project turned out to be a game-changer for our business and a cornerstone of our business philosophy. It gave us a competitive edge in the market in terms of volume and quantity. Since then, we have been continuously striving to invest in state-of-the-art technologies and have even made this notion a part of our mission statement,” says Shayan Akberali.

The company takes pride in being a true ‘brand of firsts’ for the steel industry of Pakistan across all disciplines. “We were one of the first to introduce ‘Grade 60’ rebars based on American Standard ASTM 615 in 1989; the first to introduce G-500 rebar, based on British Standard BS 4449 in 2005 (that offers upto 15% cost-saving in construction); the first to introduce a fully-automatic rolling mill in Pakistan, as well as the first to introduce 5th generation Red-Ring Rolling technology in 2015, which is the latest technology available globally,” explains Hadi Akberali.

The company has steadily built a comprehensive distribution network across the country to cater to all construction segments. While their head office is based in Karachi, the plant is located in Dhabeji, with offices in Hyderabad, Sukkur, Multan, Lahore and Islamabad along with their warehouses in Lahore and Islamabad, with a combined dispatching capacity of 20,000 tons of rebar per month that feed into the northern retail market. The company has over 400 retailers and channel partners across all provinces.

Some of the most iconic projects of Pakistan that have been strengthened with Amreli Steels include Jinnah International Airport Karachi, Dolmen Mall, Lucky One Mall, Allama Iqbal Airport and Serena Hotel Islamabad. “In recent years, we have managed to leverage our excellent business reputation and convert it into consumer relevant brand equity, which has paid dividends in the retail segment which primarily caters to commercial and residential builders and people independently building their homes,” adds Shayan Akberali, and adds that the company is the volume leader in the retail market.

Talking about their target market, Hadi Akberali says that although the company caters to construction requirement of all scales and varieties through their channels, construction as an industry is a very complex machine. The onus of the final purchase decision falls on different stakeholders in line with the scale and scope of construction. “We always target the ultimate decision-makers for the purchase decisions and have enjoyed the reputation of being the brand-of-choice for all quality conscious architects, structural engineers, local and foreign contractors and project directors of mega projects,” he says.

As for competitors, Shayan Akberali says that it might sound very unconventional but Amreli Steels’ biggest competitor is the Amreli Steels of yesterday. “We have always pushed ourselves and operated out of our comfort zone and have been the first ones to take a leap in the pursuit of innovation; this is why, we have become the standard-bearer of Pakistan’s steel industry and this is precisely why the prices set by our brand in the market becomes a benchmark for other players to peg their prices against.”

Although happy about the fact that new players are entering the market and the older players are also upgrading their technologies (“such investments are positive developments for the category and the country and the national demand for steel rebars, which is about four million tons per annum and not being fully met by local manufacturers”), he says rebars made from obsolete technologies that do not comply to any standards are still being illegally produced in the country and this remain a challenge as it hurts the consumers as well as the documented economy.

The company has set a target in their mission statement of achieving a sale of 1.5 million tons of rebar per annum. As to how and when that happens, they believe is dependent upon macroeconomic conditions and government policies, because companies that are global leaders in steel have managed to achieve their positions by implementing long-term plans for supporting industries. “The steel sector of Pakistan has not had that level of support yet. We know that the need and demand both are there, but what steel companies need are long-term roadmaps from the government that do not change with the volatile political environment of our country. We need a minimum of 10-years stability in policies and regulations to realize our true potential,” concludes Shayan Akberali.

Tracking the Tube- October 2019

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The infographics are based on the data collected and provided by Media Monitors Pakistan.

Top Genres Based on Commercial Airtime (CAT)
News remained the most advertised genre for advertisers, followed by entertainment similar to the continuing trend.

Top 10 Advertised Brands
Kurkure was the most advertised with 15,000 airtime minutes, while Mirinda had the highest number of spots- 50,000-in October 2019.

Top 10 Advertisers
Pepsi Pakistan is the leading advertiser for October 2019, followed by Unilever Pakistan in terms of spot frequency, while advertising airtime is the same for both.

Top 10 Advertised Categories
Beverages advertised the highest during October 2019.

Top TV Channels
24-Hours
Capital TV is leading the list with 14,000 minutes.

Top News Channels 
24-Hours
Capital TV was the most advertised on news channel with 14,000 minutes advertised in October 2019.

Top News Channels
Prime Time: 8pm to 12am
Capital Tv was the most advertised on news channel during Prime Time with 3,000 minutes in October 2019.

Top Entertainment Channels
24-Hours
Express Entertainment got the most commercial airtime from advertisers in October 2019 with 12,000 minutes of airtime.Top Entertainment Channels
Prime Time: 8pm to 12am
Express Entertainment and Play Entertainment got the most spending from advertisers during Prime Time in October 2019.

Top Movie Channels
HBO was the most advertised on movie channel for October 2019 with 935 CAT minutes.

Top Sports Channels
Ten Sports secured higher CAT minutes in the month of October 2019, amongst the two sports channels. 

Top Kids Channel
Kidzone Plus secured the highest advertisements of 3,075 CAT minutes in this category. 

Top Music Channels
8XM was the most advertised on music channel with 11,409.

Timeband Analysis
Interestingly, the most advertisements are run during the afternoon, followed by Prime Time.

Top 10 News Programs
Aaj Pakistan was the most advertised news program in October 2019, aired by Aaj News.

Top 10 Entertainment Programs

‘Ek Haseena Ek Dewana’ on Urdu 1 was the most advertised program in the entertainment genre during October 2019.

About Media Monitors Pakistan
Media Monitors Pakistan is the sister concern of Medialogic Pakistan. Media Monitors is an advertisement tracking company which provides monitoring service for more than 80 TV Channels being viewed in Pakistan.

The Black Swan of Advertising

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The nature of water is mesmerizing. Whether you pour it in a round glass, a tall jug, spill it on the counter or store it in a bottle, it will adapt according to its surrounding. Sometimes it’s cold, sometimes it’s hot, and sometimes it’s just room temperature. This is a very fascinating phenomenon when you think about it. Similarly, dance molds into any form of expression. That is the strength and beauty of this art. Unfortunately, this is the basic knowledge that we lack about performing arts in advertising. Dance is still categorized as a red-light activity in our society and those who indulge and devote themselves to it are not given a lot of respect.

Advertising and dance hand–in–hand can make wonders happen when done the right way. It can bring people to their feet and make them groove to its tune while embedding a brand into the consumer’s mind. It’s like watching a musical which is entertaining yet it has a story to tell. So why can’t we join both together and create impactful advertisements?

Currently, what we find usually are ads like the Gala Biscuits one with Mehwish Hayat dancing around aimlessly. A very desperate approach by a brand to look cool and convince people that they emit happiness, it only made us cringe to be honest – big time!

Then, how can we expect anyone to connect when the concept itself was brainless? What are we trying to tell people when it was not thought out clearly by the people who created it?

Shaking a leg or two and adding the same auto tune with repetitive beats and approach is just going to make your ad a part of a long line of existing and forgotten attempts. It is sad to see that even the choreographers who had been a part of these projects weren’t able to do anything.

It seems as if we are desperately trying to veil the reality of how much hard work goes into doing tasks like cooking and dish washing by singing and dancing.

There are two reasons for that. One, the talent casted in these ads – whether established or budding – are not putting in enough work that is required to master the movements which would make it look appealing, followed by the backup dancers who usually are going haywire too. There is zero synchronization and when there are no ideas on how the dance moves can be carried out, we fall back on to a few male dancers who will bust their power moves in solo surrounded by a highly enthusiastic crowd which we usually encounter in a club or party. Reason number two, the self-proclaimed choreographers who are highly celebrated in our industry repeatedly do that one thing that got them the limelight and continue with it for every other ad. There are no fresh moves, no effort and certainly no attention given to the piece that is being choreographed. With all due respect to whoever is offended by this, for goodness’ sake please look around and give the people who actually hold knowledge and expertise in the matter a chance so they can show the people of Pakistan that dance is no joke.

Most of our homes are against the idea of their sons or daughters being anywhere near dance, and as much as it hurts to say this, I wouldn’t blame them. How do you expect them to see dance in a new light when they don’t get to see its full potential? They still believe that dance is shaking your body to seduce a man and inappropriate gestures which are all pointed in one single direction. If we connect advertising and dance properly with thought through and prepared choreography, chances are even those who don’t approve of dance will feel somewhat glad when they see it shifting from the wrong notion to a respectable one. I mean come on. How many women dress up and dance around while cooking in the blazing heat of their kitchen? Tossing in ingredients like pillows without a drop of sweat on their face? Or a wife, singing to her husband about her amazing dishwashing liquid when she has an enormous pile of dirty and greasy dishes stacked in the sink? The best part – it does not take a single second to wash all of them! It seems as if we are desperately trying to veil the reality of how much hard work goes into doing those tasks by singing and dancing, which I know for a fact no one believes in.

What we really need to acknowledge is that our audience is smart, they know what they want to watch and this is definitely not it. They do not wish to see random people jumping up and down on their screen, forcing the product upon the audience. People want to watch ads that are using the art of dance in proper context and with the right style of movement. It takes a person exactly five seconds to judge if a particular ad is worth their time or not, and the moment they see random dance shots with no link to the product, they bail.

One good example of how proper movements can be carried out is the Protex commercial, in which simple hand gestures were linked after being properly planned and choreographed according to the nature of the brand. It fulfilled the purpose of what the brand wanted its audience to understand – the proper way of washing hands, which embedded Protex in consumers’ minds at the same time.

Just casting someone because they are renowned is not the way to go about it, rather it needs to be checked properly that the person is capable of pulling off the routine that would be required of them; versus caving into the fact that the person they are planning to cast is a ‘big shot’, and we have to work according to them.

Celebrities featured in ads are also often not up to par. They may claim to be actors or actresses, yet do not quite know how to perform properly, which is their duty. If they wish to work on-screen then they must put in the time and effort needed to be able to dance, instead of choreographers having to dumb down their beautiful piece of art to adjust to the sloppiness of the actor or actress in question. And this is also something brands and advertising agencies should take note of. Just casting someone because they are renowned is not the way to go about it, rather it needs to be checked properly that the person is capable of pulling off the routine that would be required of them; versus caving into the fact that the person they are planning to cast is a ‘big shot’, and we have to work according to them. No! The ad industry needs to stop compromising on the quality of dance or execution – this is affecting brands which are being represented and is disrespectful to those who take dance seriously. Dance is a proper profession. Around the world there are millions of people who have reached top positions as choreographers and performers, and are changing the game of dance as we speak. All we have to do on our parts is put in effort and not compromise.

Dance is a beautiful form of art which has the power to persuade and the freedom to express. It is a tool that has the authority to hold a person’s attention with its royalty and entertain the audience with its aura. A dancer performing is as mesmerizing as the colorful sky when a sun sets with orange and mustard hugging each other and hues of pink, purple and blue dancing along their way to sleep. Let us understand the potential and value that dance brings to the table and take hold of the power that it presents us with. And… 5, 6, 7, 8… cut!

Google Pakistan Path to Purchase- 2019

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Insights into the present-day consumer’s path-to-purchase when it comes to smartphones, skincare and apparel.

HOW DO PAKISTANIS CHOOSE THEIR PURCHASES?

As digital platforms, such as search engines, social media, e-commerce marketplaces, mobile apps, and brand websites have become more used by Pakistanis; their impact on how Pakistani shoppers navigate their path to purchasing products has dramatically changed.

To better understand the transformation of the shopping journey of everyday Pakistani consumers, Google partnered with leading research firms, Ipsos and Quantum, to study this evolving path to purchase. The findings reveal how digital platforms have disrupted the traditional path to purchase for Pakistani shoppers and how brands can tap into these shifts to prepare for the future of e-commerce.

Google Search
Google Search is the Go-to platform for most Pakistani shoppers to learn about products
In other words, there are more opportunities to influence a consumer on Google Search during their path to purchase.

Number of sessions carried out is more versus any other digital platform.

 

Google Search acts like the glue of the shopping journey. In 4 weeks prior to purchase, Pakistani shoppers recalled ads more times versus other digital platforms.

Pakistani’s intentionally come to YouTube to learn about the products so they are more receptive to ads in these moments.

 

MAIN TAKEAWAYS

  • Digital tools have transformed the pre-purchase shopping journey for Pakistani shoppers
  • More Pakistanis learn about products online, not in store.
  • Google Search is the glue that holds the shopping journey together.

Charting the Course of Technology

Systems Limited is one of the oldest and largest software houses in Pakistan. It currently employs more than 3000 people from Pakistan as well as globally in offices located in USA, UK and UAE for large scale enterprise-based projects, systems integration etc. and has established itself as a key player in the USA, Middle East, South East Asia, Europe and Africa markets, other than Pakistan. The company follows the employee ownership model where 50% of the company is owned by active management, i.e. the employees. Being in the service sector, this helps talent retention. Established in 1977 in Pakistan, Systems Limited positioned itself as the only company capable of handling government and public sector IT and BPO (Business Process Outsourcing) projects and carried out large scale IT development for entities like Pakistan Stock Exchange, Customs Pakistan, Central Depository Company etc.

According to Asif Peer, CEO/MD – Systems Limited, “Systems Limited’s customers include Fortune 500 companies and we can be called the Accenture of Pakistan. We realized that Systems Limited had huge potential for bringing foreign exchange to Pakistan through IT export, and we had the first mover’s advantage for this. We were a profitable company and hence we acquired a startup in the 1990’s in New Jersey, USA. Now called Visionet Systems Inc., it was a small startup with a few people that we built up over time and it is now catering to over a 100 customers in the USA.”

In tune to his company’s legacy, Asif Peer is actively working with the Pakistan government and is a part of the Prime Minister’s Committee for Business Leaders, representing Pakistan’s IT industry and contributing to the government’s initiative for creating employment in Pakistan and generating export. “We have to build Pakistan as a destination for IT outsourcing through startups. Although we are still in the infancy stage, Pakistan is one of the most affordable countries in IT outsourcing according to the World Economic Survey report, which makes it one of the most booming destinations where we have the population, quality talent, and active support from the government through a number of incentives to ensure the growth of the IT industry. For the first time, the private sector is giving feedback and contributing towards the policymaking process, and this will positively impact the Ease of Doing Business for local and international concerns who want to do business in or with Pakistan. Pakistani businesses are already offering most of the technologies; call centers, digital marketing etc., yet as an industry we need to come forward and take the right steps, especially in terms of documenting our industry. So we have been working aggressively on these fronts to pass on our experience by mentoring others to take Pakistan’s IT industry to the next level because overall I am very optimistic, as I see a lot of untouched potential, which we just have to unleash. Also, I believe whoever misses the opportunity of not being a part of this ecosystem right now will be incurring a huge opportunity loss.”

Here, the Ease of Doing Business (EODB) maybe an important indicator that may help the country go forward. While the economy of the country struggles to perform, Pakistan’s ranking enhanced on the EODB indicator in October this year by 28 points from 136 to 108. According to a press release issued by World Bank, the country introduced reforms in six regulatory areas of which the first area is starting a new business, which has been made possible by “expanding the functionalities of the online one-stop-shop, which reduced the steps from ten to five”. The second and third areas are related to construction permits and property registration, which were made easier and faster when “the Sindh Building and Control Authority (SBCA) and the Lahore Development Authority (LDA) streamlined approval workflows and improved the operational efficiency of their one-stop shops”; the fourth area is “the ease of access to electricity through an online procedure where commercial connections can be applied for while increasing the transparency of electricity tariffs”; the fifth area is the “introduction of online payment of corporate income and value added taxes”; and lastly, the sixth area is “an enhanced integration of various agencies into an electronic system and improving coordination for carrying out joint physical inspections at the port”.

As Illango Patchamuthu, World Bank Country Director for Pakistan says in his statement, “The accelerated reform agenda has many noteworthy features to improve quality of regulations, reduce time and streamline processes. This momentum needs to be sustained in the coming years for Pakistan to continue to make progress”, and as Imran Khan mentioned rightly in his tweet when he announced the improved ranking, “there is a long way to go.”

Bend to the Trends in 2022

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Once upon a time, there were advertising professionals who would learn specific techniques and become experts by polishing themselves over the years. Now, the tables have turned, methods are no longer enough, its data that makes you stand out.

Knowing about trends is simple; the real art is to know how to follow those trends in the right frame of time. It requires those who are affiliated with brand-building to be pretty attentive as trends change in the blink of an eye. Each brand has a specific requirement which obviously means that not every trend is going to sit right with every brand. Rather, brand custodians need to have enough knowledge and understanding that they are able to decipher the trends that will prove to be the most beneficial for their brand, without jumping the bandwagon of trends, and being smart about making the right strategic choices.

The digital era is here as we can all see, so it is safe to say that the young audience is hooked onto whatever they see online. Youngsters engage actively in digital trends whether they are hashtags or challenges, with an unending inflow of videos and posts. The biggest mistake that most digital marketing professionals-in–the-making make is that they are not up-to-date with trends happening literally on an hourly basis. We are actually living in a time where the custodians amongst us need to forget about taking days off and invest their time researching on what is happening every minute of every day to make sure they themselves nor their brands miss out on any opportunity. The more we are vigilant, the more our chances of predicting accurately and becoming trendsetters.

ALGORITHMS & TRENDS
Algorithms change at the same speed a kid changes their toys. Take Instagram for example. The most common complaint by influencers these days is that the algorithms keep changing and they struggle to figure out insights required for maximum reach. Having a strong grip on how algorithms function and what new features have been introduced is what gives any influencer or brand custodian an edge over competitors, which can only be achieved through thorough research.

SOCIAL MEDIA: COMMERCE VIA ENGAGEMENT
The one major change in the previous years is the increasing importance of social media. Not just influencers, rather a number of businesses have flourished by selling through social media channels. Social media has given brands a platform and an audience willing to interact with them in real time, which would not have been possible otherwise. The demand for social media commerce has gone through the roof where even brands from lower tiers have set budgets for digital marketing and on-boarded digital hotshops to manage their digital presence and social media. This has allowed numerous brands to increase sales by a large percentage through getting connected with their target audiences. To stay ahead over social media, it is important that each brand posts at least 3 times a week, consisting of both static and animated posts. And these posts need to have engagement inducing content so that the audience continues to tune in to the brand’s social media handles.

INFLUENCERS ARE TODAY’S CELEBRITIES
Influencers are essentially those sharks which have the ability to take down a whale when in large numbers. The digital medium has shown us how powerful influencers can be. Most of them earn beyond what we can imagine, which is mainly because they are a jack of all trades online. They create, shoot, edit, execute, and deliver what is required of them. Influencers have educated themselves on how to adapt to the requirement of each brand and have gained the trust of their vast number of followers.
What I mean to say here is, we have to give it to them; this is not at all easy.

Using influencers is the first thing that comes to any advertiser’s mind when it comes to promoting a brand online, regardless of the category. From food bloggers to tech heads, there are influencers catering to every other category. Each successful campaign nowadays has influencers onboard who will promote it on their social media accounts which usually have an insane number of followers. It can get intimidating for a number of us to see how many people look up to them. The point is, influencers are a strong force in terms of advertising now, and a digital marketer would know well how, when, and where to utilize them to get maximum benefit for the brand.

“The biggest mistake that most digital marketing professionals-in-the-making make is that they are not up-to-date with trends happening literally on an hourly basis.”

CONTENT IS ALWAYS KING
The content we create has a purpose. Just selling the product to the audience isn’t enough anymore, the product needs to fulfil a bigger motive, for example, there needs to be content around societal and social tolerance or breaking negative social norms. This helps the audience connect with the brand at a more emotional level, and not just for the functional benefit, rather they feel more affectionately towards the brand thus creating brand loyalty and a sense of ownership as the ideologies and ethics of both parties are the same. Also apart from the above, creating brainless ads or content has never been a good idea. Even a big idea without a purpose is like a biryani filled with cardamoms, and we know how that makes us feel – not nice.

The content which works best is snack-able meaning its small, bite-sized pieces of content instead of a longer version of ads. Almost all video-based apps and websites are shifting their business models towards this strategy. Gone are the days when people liked heavy content and designs. Today it’s all about clean minimal design and clear messaging. Let’s face it; no one has the time to get invested in trying to understand the riddles a brand is playing. The audience literally wants to-the-point communication and simple designs which would be soothing to look at, and requires less effort to understand.

FORMATS MATTER
With new features coming in everyday, live streaming has also become the talk of the town. Each campaign will have a live session whether it is with a celebrity, influencer, or an expert. It’s an essential part of a successful campaign, yet it’s important that even this should not be too long. Again, no one has the time to see an hour-long live stream. Keep it short and sweet folks.

Also, instead of posts, a story is more effective. A story has more engaging elements, including polls, questions, and filters. Also, stories remain for 24 hours, visible to the followers at the top of their profiles, whereas posts may disappear in a feed stream. This means that brands have the choice of displaying the most relevant pieces of content in the shortest format possible, which will be more visible to its followers without remaining on the brand’s social assets permanently.

AR AS THE FUTURE
One of the most interesting developments in the digital world is Augmented Reality or AR. Especially with Meta verse already in the picture, consumers can interact with their favorite brands online from the comfort of their homes. And without a doubt it is very cool!

Imagine standing in Pakistan the moment you wear your AR goggles, you can roam the streets of Paris. Imagine the possibilities – endless!

To wrap it up, consumers look for creative, memorable, impactful, and engaging content. If we want our respective brands to flourish digitally then we need these ingredients to create great content.

Jingles Ruled? Well Not Anymore…

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Sab Se Aagay, Sab Se Ooper…

This is what comes mind when someone asks me about a jingle-based ad that I remember. But why? Why does this specific ad have a separate fan base? Why is this song instantly recognized by almost every Pakistani? It might sound fictitious, but I am certain a number of Pakistanis can even sing the entire jingle!

There was an era when jingles ruled. They were a reason why people were hooked to the twice-in-an-hour break during dramas because they loved listening to these catchy tunes again and again.

Before we go deeper into this, let’s discuss some basics. So, what is a jingle? “A jingle is a short song or tune used in advertising and for other commercial uses. A jingle contains one or more hooks and meaning that explicitly promotes the product or service being advertised.”

Though jingles are a great way to promote brands, it’s not every time that they are impactful – most certainly not the ones produced without any proper research and backing. In the many decades of advertising, countless jingles have been broadcast, yet only a few were able to connect with the audience while the rest were forgotten along the way.

“In the many decades Of advertising, countless jingles have been broadcast, yet only a few were able to connect with the audience while the rest were forgotten along the way.”

So how do we craft a jingle that makes its way to the hearts and minds of people and stays there? A number of drivers make a jingle memorable for years. Whether any listeners love it or hate it, a good jingle will always direct them to the brand. Once a jingle makes it big on mass broadcast, people will associate it and recall it whenever they see any of the brand’s ads with the tagline that was there in the jingle. This increases the likelihood that customers will buy the brand whose jingle they recall while making a purchase. Following are three reasons that make jingles a great way to communicate about brands and their offerings.

  1. Repetition helps people retain information
    Our brain is designed to memorize processes that we repeatedly carry out. The data is stored uniquely and it can be easily accessed, which helps in skill-building or bringing information from the conscious to the subconscious. So, when we hear a jingle repeatedly, like “Sab se aagay, sab se ooper…”, it becomes a part of our subconscious.
  1. Easy to remember and catchy
    Like McDonald’s “gyara-baara-four-four-six-two-two” (11-12-44-622) , the only UAN number I sing while dialing it or, as of now, writing it. That’s how fun and easy it is to remember information; like a phone number, company name, or other features that define the brand or the company.

 

  1. Helps associate the brand with what it has to offer
    Manalo food ka love with 7Up…”. Whenever I am at a restaurant, and the server comes to take the order for a beverage, I ask for 7Up with this song playing at the back of my mind. Exactly like this, a good jingle not only stays in listeners’ minds, but also creates brand association with the offering.

 

Besides these, here are some more examples  of great jingles, Made In PAKISTAN!

NAZ PAN MASALA: Meri muthi mein band hai kiya?”One of the most popular advertising jingles in the 90s, every 90s kid has grown up listening to ‘Naz Pan Masala, Naz Pan Masala’. In fact, we used to tease each other using this jingle.

 

 

DALDA: “Jahan maamta, wahan Dalda”
No matter how many ads Dalda has done, this one has been the OG – original to its core and incredibly exceptional. Nothing has come close to the brand’s Ramzan TVC of 2008 that has a great story, lyrics, and tune. The most important part is that almost every Pakistani knows it.

 

COCOMO: “Mujhe bhi do”
Goes without saying. NOT THE NEW ONE, but the classic old one. Whenever I see a friend opening a pack of Cocomo, I know what my next line will be, without a second thought. That’s the power of this ad. It has created an iconic recall, and I would say this about my generation that the place it holds in our hearts is irreplaceable.
I miss that era when I hear the jingles being made today. Brands are trying to cope with Gen Z trends, especially by creating jingles around the type of music they listen to. So instead of strategizing a way that is unique and more relevant to the brand, they – these brands as in – end up jumping on each other’s bandwagons. For instance, when Pepsi came up with its new positioning, along with the new jingle, “Why Not Meri Jaan?”, we can see a number of brands copying that culture.
Cocomo brought back its iconic jingle with a hip-hop twist. Sung by Asim Azhar, the new jingle has not received a very warm welcome by Pakistanis, especially those who grew up listening to the original tune. It has changed slightly with the addition of rap verses and tunes, but the sung line remains the same.

FRESH-UP: “Life mein freshness aaney do”
The first rendition of this jingle was catchy and created its own space in the consumers’ minds, but the new one hasn’t been able to cut through the clutter. It came out only recently, and it may be somewhat early to judge. Let’s wait and see if this new jingle is also able to create an impact like its predecessor.

In the last decade, advertising has evolved and the competition amongst brands to gain a larger share of the pie, win customers and break the clutter has increased. The challenges and objective have remained the same – to create awareness and a never-ending recall in the minds of consumers. Marketers are doing all they can to create and sustain the image of their respective brands, and using jingles to do just that has always been their favorite tactic. With the younger generation emerging to take the front seat; the prevalent mindset, mass likes and dislikes as well as the type of content that is dominantly viewed now has also evolved, yet the efforts seem redundant due to the follow-the-leader approach that marketers nowadays are following versus creating a path that works for the brand. It shouldn’t be like that. Being brand custodians, marketers can determine and evaluate the need for a jingle and if it is worth investing time and money in. When done right, a jingle can create unaided recall, and weave it into the hearts of consumers.

Jazz Promotes Digitization Through ‘Super Soch’

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Jazz launched its campaign ‘Super Soch Ka Partner’ late last year with an objective to challenge the existing negative perception of social media and instead showcasing the positive impact digital enablement can have on people’s everyday lives, thus translating their Super 4G trajectory into ‘Super Soch’. The aim of the campaign was also to leverage Jazz as the leading telecom brand for ‘the greater good’ – whether it is Karachi Foods, Covid-19 support or vaccine awareness.

According to Shoaib Aftab, Head of Brands and Communication (Director Marketing), Jazz has been a cultural leader in the telco industry and the brand’s goal is to empower users through digital enablement, from high-quality services to providing the resources to peoplewho need to make their daily lives easier and more efficient whether it is professional, personal or educational. Jazz should be their constant friend and digital partner.

“We started the year 2021 by aiming to become our customers’ digital friend forever and since then, our communication progressed from ‘Super Iraday’ (how you as an individual can achieve success), to ‘Super Confident’ (how you can enable others to achieve success), to ‘Garh De Jhanday’ on August 14 (the collective success on a national level), eventually to ‘Super Soch’ to bring a positive change in people’s lives,” he explains.

The 360-degree integrated campaign was shared on TV, Radio, OOH and digital and lasted five weeks. The creative agency responsible for the campaign was Fishbowl, which released three TVCs encompassing the ‘Super Soch’ concept (a wife ordering a cake for her husband over the phone, a girl collecting blood donors for a blood drive online and a shop-owner using a translation app to cater to foreign customers. This was followed by small digital content pieces. Iris was responsible for digital while Blitz handled the media and OOH was taken care of by Kinetic Pakistan and O-Media.

Talking about the campaign, Saira Masood, Creative Director, Fishbowl, says, Jazz has concentrated on creating a unique brand ethos with its audience for the past year and a half with the objective of taking a role of a friend who is there always to help and support through digital solutions. She said keeping that in mind, the agency created an insightful communication with which the core target audience could resonate, all the while keeping the overarching brand ethos in mind. “Super Soch Ka Partner has pushed the envelope even further and the brand homed in on empowering a positive mindset,” she says.

“Being the biggest digital company in Pakistan with over 25 years’ legacy, Jazz is exploring new magnitudes to digitally enable the country.”

Moreover, she explains that the universe of digital entails two distinct schools of thought; one which believes in it and the other which questions the value of the digital world compared to the real one. “Spending time on social media or interactive online is considered to be lazing around, endorsing a fake world that is selfie-obsessed. This mindset unfortunately tarnished all the positives the digital world brings to the table.”

However, she says, we all have witnessed people helping each other out through digital, contributing to donating in charities and blood donations, connecting and being there for each other and making each other laugh by sharing memes to make their day much better.
“Jazz wanted to highlight all these positives by celebrating all those people who use jazz as well as represent their mindset, aka ‘Super Soch’ to help themselves and others,” she reiterates.

The target audience for the campaign was not defined by age, gender, profession or city. It was inclusive and cut across all SECs and included university students who relied on digital platforms for infotainment and do not shy away from stating their opinions, as well as 40-year-old women (housewives) who want to help and inspire people around them as well as be the go-to-person for friends, family and neighbours. “We wanted to break the industry clutter by designing something for the audience as this would help us in attracting attention, as well as increase brand awareness and recall,” says Aftab.
“Super Soch Ka Partner campaign is for all those who possess the desire to show the world their true potential.”

For the TVCs, the brand and the agency dived deep into the target audience and drew insights which they used to showcase real-life situations the audiences could relate to. By harnessing empathy in the overall communication, tonality and design, we were able to build our brand narrative around how Jazz Super 4G impacts our lives in a meaningful way. “The overarching campaign strategy is to translate Jazz Super 4G to Super Soch experiences across every touchpoint,” adds Aftab.

Being the biggest digital company in Pakistan with over 25 years’ legacy, Aftab says the brand is exploring new magnitudes to digitally enable the country. In the process, he says the brand has created the strongest sub-brands; the Jazz Cash app, which is the largest mobile wallet with more than 15.7 million monthly active users nationwide. Their digital 4G handsets series cater to the price-conscious segment and aim to make technology accessible to all.  Also, the Jazzxlr8 is enabling the Pakistani start-up ecosystem and has multiple partnerships with the government as well as the United Nations that are helping Jazz achieve our objective in corporate social responsibility ambit.

Hence, Aftab believes that Jazz is not a leader in just numbers but also in ruling the hearts of its audiences. “Our initiatives like financial inclusion, data inclusion, business to business products are creating a wave of digital experiences.”

“As for Super Soch, our aim is to further amplify it to new dimensions never explored before, he concludes.

(Continuing its focus on driving digital inclusion, Jazz invested PKR 14.9 billion under its ‘4G for all’ ambition during the first quarter of 2022, taking its overall investment in Pakistan to US $10.2 billion.)

Source: Jazz.com.pk

#PampersforPaternity TV Commercial

Although a host of campaigns are created, very few leave their mark with their brilliant concept, immaculate execution and superb visual strategy.
So what is it that makes one campaign a success story and another, a tale of disaster? To assess the causes that determine the fate of a concept, we took critical evaluations from marketing and advertising professionals on the #PampersforPaternity TV commercial.
Following is their analysis on how they view it.

SAJID HUSSAIN
Creative Director – Art
Prestige Communications

It is said that you can’t please all the people all the time. As the bread earner, a father is continuously torn between his personal and professional life. At times, it becomes very challenging for him to cope with his work and family responsibilities.

For me this is more than just a Father’s Day campaign. It is a tribute to every father. Becoming a father is the best thing that can happen to a man. The commercial very effectively highlights the importance of a father’s presence at that life-changing moment when a new life is being brought into the world.

The concept is unique, innovative, emotional, and engaging all at the same time. It delivers the intended message most effectively. #PampersforPaternity encompasses the priceless moments in a father’s life with the message that a father should never miss out the joys and amazement of fatherhood.

WALEED ANSARI
Head of Design
Ogilvy Pakistan

It’s important to start conversations around pivotal topics such as fatherhood and its significance. Having a baby is a huge step for both parents and usually the role of a mother is highlighted in abundance.

This TVC captures the emotions of a father perfectly and the sacrifices he makes while choosing between being present for his family or by working hard to provide for his family.

Even though this ad tugs at all the heart strings, it raises a few concerns too; the entire focus seems to be on the father who reaches late at the delivery and the later acts seem to be a compensation for this delay. While the ad does talk about being late, the copy lacks mentions of not being present for the wife or how he missed many moments during the process of his wife’s pregnancy.

Nonetheless, the concept, music and script; all have a beautiful sync. The mood, lighting, art direction seem to have given a lot of attention to detail.

All in all, the conceptualisation and the initiative taken by P&G for paternity leaves is commendable and hopefully all other businesses will follow suit.

MISHAL ARIF
Strategist

Just as I was nearing the end of my seventh month of pregnancy, I came across the #PampersforPaternity TVC during a random social media scroll. Naturally, given my current situation I found the TVC to be relatable especially because I had been recently engaging in similar discussions around the subject matter of ‘paternity leaves’ with my husband.

As a marketer I felt the message delivered in the campaign hits the spot and has managed to tap into the emotional appeal of its consumers. Especially since the message is a topic which is seldom discussed and is categorized as ‘taboo’ even though it is relatable to many going through parenthood. However will this affect consumer buying behaviour? For me personally, the quality, longevity and value for money offered by a brand are still high up on my list of preferences while making a purchase decision.

Furthermore as a marketer and a consumer, I was left wondering if the alleged claim or policy change of the two-month paternal leave would be actually something that is carried forward and implemented by the organization or was it purely a stunt to grab the attention through the power of emotional marketing? Perhaps a follow up campaign with implementations or real employee testimonials would be something to solidify the message, ensuring it wraps up nicely.

NABIL SALIM
Creative Manager
Synite Digital

The campaign’s video focuses on the message, which serves as a public service announcement, rather than advertising their product, “Pampers”. The message seems relevant with the audience being addressed, which observes child rearing as a wife’s responsibility and not the husband’s. It does a good job of conveying the stigma faced by fathers who choose to take a more active role in their child’s life. Although it’s worth noting that showing a more active participation from the father would have been a better communication route, rather than the problem of “why they can’t participate”.

Visually, the campaign ad is well shot and the lighting/colour grading adds to the mood of the film. The score does a good job in changing each scene’s mood to evoke the appropriate emotion. However, it is worth pointing out that in the process of building ‘drama’, the duration of the video is lengthened. In the end Pampers takes the lead in starting a change by adding that they’ve given their employees ‘Paternal leaves’.