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Creating a Safer Digital Society

Pakistan has its fair share of struggles when it comes to shifting towards digital platforms. The gap between education and the practical world, lack of exposure, and disconcerting economic conditions are some of the major hurdles between Pakistan and digital development. The situation gives an even worse picture when rural areas are included since they make up more than 50% of the country’s population. Though most rural citizens have access to mobile phones, even fancy digital gadgets, and social media platforms; the challenge is to groom them towards safer internet usage and convert those people into an asset-base for a digitally-driven Pakistan.

As the forerunner of digitization and the internet revolution, Google has the ambition of equipping Pakistan with the knowledge and skills necessary to flourish in the digital world. Over recent years, the tech giant has developed numerous platforms to digitally up-skill the youth of Pakistan. Benefiting from them, the country is currently standing as the fourth largest freelancer hub and provides phenomenal services in the field of Search Engine Marketing, Social Media Optimization, Social Media Marketing, Search Engine Optimization, User Interface, User Experience, and many other areas. Keeping these developments in mind, Google forecasts a bright future for a digitally-enabled society in Pakistan if digitization is simultaneously expanded in both rural and urban areas.

The successful digital transformation of Pakistan can be predicted by the fact that in 2021 the internet penetration hiked to 54%.

The Safer Internet day marked a remarkable feat for Pakistan rural areas as the National Rural Support Program (NRSP) initiated the much-needed project of “Internet Dost & Internet Zabardast.”

The highlight of the project was its target to reach and train over 18,000 women from rural areas and enhance their digital skills with the aim that internet literacy and digital tools can help them shape their lives in a better way. In addition to this, the project planned to educate over 25,000 boys and girls to mold them into safer internet explorers by providing them necessary tools for digital advancement in Pakistan.

The search engine giant, Google, gauged the possibility and advancements that could be brought through this project. With its USD 475,000 grant to NRSP, through its philanthropic arm, Google.org, Google made it clear that it wants to participate in the proceedings that would help Pakistan excel in the world of digitization.

An opportunity to add PKR 9.7 trillion via digital technology
In November 2021, the pioneer of digital technology commissioned a report – Unblocking Pakistan’s Digital Potential. The report elaborates on the potential of Pakistan in the field of digitization. According to stats briefed by Google, the digital transformation has the prospective to grant PKR 9.7 trillion (USD 59.7 billion) to the country in the annual economic value by 2030, which sums up to 19% of the country’s GDP in 2020.

The Google reports have made such claims by looking at the current status of Information Technology growth in Pakistan. The country produces 25,000 IT graduates every year and is a hub for 300,000 IT professionals. Since 2010, more than 700 tech start-ups have successfully transformed themselves into potential companies. As far as technology exports are related, a growth of 15% has been recorded since 2020. By the end of 2022, the exports will reach more than PKR 610.8 billion (USD 3.5 billion). Yet again, these numbers can only grow and be retained when more digitally skilled people are given an opportunity from the rural areas.

Glaring the future of Pakistan in the digital arena
Google highlights that Pakistan can make its own identity in the digital ecosystem and could create significant economic value by concentrating on a few core technologies. Areas like Mobile Internet, Cloud Computing, Big Data, Artificial Intelligence, Fintech, Internet of Things, Remote Sensing, Robotics, and Additive Manufacturing have the ability to strengthen the digital framework in the country.

The successful digital transformation of Pakistan can be predicted by the fact that in 2021 the internet penetration hiked to 54%. But to convert the possibilities into concrete results, a significant effort has to be made for developing a supportive infrastructure for the local tech ecosystem. The IT exports would also require a conducive environment in order to give exponentially growing results along with the promotion of digital skills and innovation in the country.

A growth of 15% has been recorded for technology exports in 2022. By the end of 2022, the exports will reach PKR 610.8 billion (USD 3.5 Billion).

Pakistan has always been known as a country that runs its economy based on agriculture. But if digitally educated citizens come forth, then there is no doubt that the country will leave a lasting and impressive impression on the digital universe.

Google Year in Search – 2019

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As originally published in Annual 2020

Google looks back at 2019 through searches providing a unique perspective on the year around the Globe.

What is Google’s Year in Search?
Google Year in Search documents the internet’s spirit of the times through an exploration of the over one trillion search queries received each year.
In addition to Year End Searches, which highlight the top trends of the year, there are several tools that give insight into global, regional, past and present search trends. Google search tools rely on anonymized and aggregated counts of how often certain search queries occur over time.

How are the trending lists populated?
Lists are based on search terms that had the highest spike in traffic in 2019 as compared to 2018.

 

 

Explore the rest of the Year in Search stories and top trending charts from countries around the world at  Google.com/2019

Digital Media Landscape Pakistan – 2019

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As originally published in Synergyzer Annual 2020

POPULATION STATS

CELLPHONE AND INTERNET USERS

FACTORS FOR FINANCIAL INCLUSION

E-COMMERCE IN PAKISTAN
TRANSACTION VALUES AND VOLUME

MONTHLY REACH FOR DIGITAL TOUCH POINTS

Facebook has reported 33 million users who can be reached. Last year, the number was 36 million. 

Instagram reported 15% more active women when compared to last year whereas it has lost 12% share amongst men.

Twitter has grown by 570k new users with 44% growth.

Snapchat has grown by 105% with more active women as compared to men.

Source: HootSuite and Google

To Brand or Not to Re-Brand?

In a world where survival-of-the-fittest is a principle that has driven civilizations forward, brands aren’t far behind. Confronted by the need to constantly evolve, successful brands keep shifting gears in terms of their personality, identity, message and even by simply exploring various dimensions of their core beliefs in the form of advertising or marketing campaigns. However, their tendency to embrace versatility does not always end up in the right place and if not approached effectively, brands can find themselves in an identity crisis or a state of confusion after changing their branding and communication approach.

AN EVOLVING BUSINESS IDENTITY
A brand is the core identity of any business, comprising of all the ideals, values, beliefs, characteristics and personality traits of the company, reduced to a specific set of recognizable standards. No matter how well a business builds its identity, they are still vulnerable to crises – eventually succumbing to the natural pressures of ageing, or failing to meet evolving audience standards consistently. In such cases, it is a good idea to ‘rebrand’, by either giving brands a new look or voice, or modernizing their existing identities. However, it is important to acknowledge the fact that if done at the wrong time, rebranding can jeopardize the brand’s image. That’s why the first step in rebranding is to determine whether a brand really needs to bring big changes to itself or not.

Rebranding can be taken up as proactive or reactive, where companies can choose to rebrand themselves to actively try and change their course or a rebrand may become necessary due to public pressure or negative press over an incident. In any case, a rebranding exercise says mainly one thing – that something is about to change. A new logo can be one of the simplest ways to indicate a change in values or a change in direction and outlook.

Rebranding is not an exercise that can be done just because you ‘feel like it’, or because it ‘seems like a good idea’. Since a brand is the very foundation for all other marketing and communication strategies, changing it significantly is going to affect everything else in the business. Another aspect to consider in terms of rebranding is consistency – changing too much too often or at the wrong times for the wrong reasons can adversely affect a brand’s existing customer loyalty and equity.

When a brand’s consumer base evolves, or when it decides to target a new customer base is when a rebrand makes the most sense, but then it needs to act in the interests of its consumer base rather than its own self-interest when setting a narrative supporting the rebrand.

WHEN REBRANDING GOES SOUTH
A good example of a rebranding exercise gone wrong is when Gap rebranded its iconic solid and classic logo – which represented the quality of its apparel – with a Helvetica typeface and a square gradient that apparently meant nothing to consumers. Audiences were left confused as to what the new change symbolized – especially since its main competitor American Apparel used the same typeface (it was the much-overused Helvetica, by the way). Gap was unable to provide a unique visual identity for the company in its attempt to rebrand, and amidst the negative response, eventually reverted back to its original identity – with a lame cover-up which included terming the new logo as the first part of a crowdsourcing design project and asking designers to share their own versions.

The problem with this exercise was that while they changed the logo, they didn’t fully rebrand the company – there was no rationale supporting this new direction. In reality, there wasn’t a new direction at all. They didn’t even substantiate the change by explaining to customers the purpose behind the shift. Gap was simply of the opinion that its logo had grown old and frail, and that it needed to be switched with a ‘fresher, more youthful’ identity. It is still remembered today as a random logo, developed just for the sake of being a new logo.

When South Asian e-Commerce platform Daraz rebranded itself, it was met with widespread confusion, with the logo being ridiculed as something copied from a stock vector, while the message ‘Discover your Daraz’ didn’t do much for audiences. The brand continues to build its narrative around experiences in order to justify the rebrand through its campaign ‘We sell more’.

Similarly Burger King recently overhauled its entire brand, shifting from the iconic blues and reds to a rather dull color palette and a simplified logo, which the company justifies as ‘confident, simple and fun’. While it was initially met with criticism, Burger King released an ad reminiscent of the iconic ‘What Idiot Changed the Chivas Regal Bottle’ ad, justifying how and why their logo is actually an evolution of the business – turning a potential backlash into an opportunity.

Rebranding is not an exercise that can be done just because you ‘feel like it’, or because it ‘seems like a good idea.

WHY SHOULD YOU REBRAND?
Rebranding can be prompted by various factors, such as wanting to update and outdated brand image wanting a new logo to gain marketing momentum. Other times, rebranding can be prompted by complicated circumstances such as new management, international growth, a PR disaster or simply negative reputation.

A locally relevant example is the change adapted by Fair and Lovely, which announced in September 2020 that their product’s name would change to ‘Glow and Lovely’. This change in name was followed by a campaign that shifted the core proposition of their products from ‘skin whitening’ to ‘HD Glow’ for all skin tones. Under criticism for promoting colorism for years, the company was eventually forced to make the change due to public pressure.

Another good time to rebrand is when the offering of the business evolves. For example, amidst the pandemic Airlift rebranded itself in Pakistan when its core focus shifted from mass transit to instant grocery delivery. The Indian direct broadcast satellite service provider Tata Sky also recently rebranded itself in the wake of new service offerings – changing the name altogether from Tata Sky to Tata Play, in order to incorporate the launch of its OTT services along with broadcast channels. The rebrand was brilliantly explained in a series of cheeky ads featuring a famous Bollywood couple.

When a brand’s consumer base evolves, or when it decides to target a new customer base is when a rebrand makes the most sense, but then it needs to act in the interests of its consumer base rather than its own self-interest when setting a narrative supporting the rebrand.

Rebranding offers companies a good opportunity to refresh their image and stay current and updated, evolving with the consumers they serve – only if there is good enough justification and if it’s done right.

Everything Wrong with Pakistani Advertisements!

What is the first thing that comes to your mind when you hear the word ‘advertisement’ in Pakistan? For me, it’s “OTT scenarios and a cringe-fest.”

Don’t get me wrong, Pakistan is a country with immense talent and an abundance of creative minds, but unfortunately, we don’t get to see it in our advertisements very often. I don’t know who to blame because the agencies are coming up with ideas on the briefs they are given, and the final approval also comes from the brand itself, but where is the creativity?

I understand that keeping over-the-top themes will get people talking, which is obviously good for the brand, but this tactic is overused to the extent that, as a viewer, I can’t help but cringe and either mute my television or change channels when one of the many idiotic TVCs show up on the screen.

Why can’t these brands and agencies make something so good that people are forced to talk about them? We have seen some great advertisements that garnered all the attention because they were different and very pleasing. For me, Ufone ads written by Faisal Qureshi will always take the cake (What about you?).

If you are a television viewer, there might be an ad that grinds your gears because I have quite a few. Such bad ads make me question the creativity levels of the ad agencies and brand vision. With my years of experience in hating the TVCs, I have compiled a list of things that I find very wrong with Pakistani advertisements. Without any further ado, let’s jump right into it.

It’s a responsibility on an agency’s part to come up with unique and creative ideas that the brand just can’t say no to.

  1. The Need to Sing and Dance 

No matter how much emphasis I put on this point, it still won’t be enough. Where is our advertising industry headed if our go-to approach is to have people dancing, singing, and basically having the time of their lives just because they use a certain dish soap?

Be it an ad for a shampoo or cooking oil, almost every other brand relies on making their actors dance and sing along to a  song that makes no sense. Most women dislike washing dishes, but according to our dish soap advertisements, all the worries in the world go away when you wash them. With plates dancing to lemons and mint leaves flying around in the kitchen, everything seems perfect at that moment.

My problem with including singing and dancing is that it has become a necessary part of ads instead of a one-time thing. A few decades back, only a few commercials came out with jingles, and they are still considered iconic because not everyone was doing it. Today, the Pakistani advertisement industry is on overkill with all this out of place over excitement.

2. Lack of Originality 

Except for a few ads, have you seen anything out of the box or unique in recent times? I haven’t. Either we are too happy in our advertisements or too emotional; there is no middle ground.

In some ads, we are celebrating like there’s no tomorrow, and in the others, we are being too preachy by playing melancholic music and being extra nice to be able to tap the emotional side of the audience.

Most of our emotional ads include relationships between parents and children, while ‘happy’ ads revolve around someone getting married. I think marriage is a gold standard to promote tea whiteners, cooking oils, soft drinks, ice creams; in short, every other product.

To all the advertisement agencies, please think of something else
 PLEASE.

Most women dislike washing dishes, but according to our dish soap advertisements, all the worries in the world go away when you wash them.

3. Getting Viral > Quality 

Unfortunately, the absolute need to stay in the limelight and be viral has gotten in the way of creativity. This is not just a problem in Pakistan, but global markets are also struggling to stay relevant and relying on getting viral to gain traction.

The brands and agencies only focus on getting the attention without caring about it being good or bad. They want people to talk about their product, and churning out trashy ads does the job.

Except for a few ads that hit it out of the park, most thrive on bad publicity. What people don’t understand is that when they talk about the ad and share it in the name of humour, the brand achieves what it initially intended to, which is being talked about.

Quality is no more a concern which is alarming. Brands are unwilling to take a chance as their priorities have shifted from producing quality content to producing viral content. SAD!

4. English Songs with Questionable Lyrics

Yes, I know we’ve talked about singing earlier but just hear me out. I am a sucker for good music, and English songs are at the top of my list, but the lyrics and music produced for Pakistani advertisements are simply CATASTROPHIC.

The new trend of creating songs using English lyrics and pop music has no impact on a wider audience. What exactly is the target audience for such ads? The lyrics are bad, doesn’t connect, fall flat, and audio mixing is awful with all kinds of effects used together.

The lyrics, in general, are bad barring a few Urdu songs used in emotional ads. Pakistan is a country of talented musicians, and platforms like Coke Studio are proof to it. The advertising industry needs to work on creating good music if they want to connect to their audience.

Quality is no more a concern which is alarming. Brands are unwilling to take a chance as their priorities have shifted from producing quality content to producing viral content.

5. Bad Ideas = Bad Execution 

In my opinion, the process of generating ideas is flawed. Although I understand that brands have their own ideas and agencies have to follow the briefs provided to them, there is always a way to achieve something creative.

It’s a responsibility on an agency’s part to come up with unique and creative ideas that the brand just can’t say no to. Many people might not agree with me, but I believe agencies have become lazy in developing good ideas. They are not pushing themselves enough to think out-of-the-box and simply play it too safe. They have figured out that OTT sells, and they are sticking to it without realizing the deteriorating state of the industry.

What the creative industry needs to realize is that viewers have become smart and have strong opinions on everything. Hence the brands and agencies need to fix their attitude towards the viewer, or else we will only see bad advertisements.

These were some of the things I have noticed and have developed a dislike for over the years. Some may agree with me while others might not, but we can all agree that the state of advertising in Pakistan is bad and needs to level up tremendously.  Any slightly different ad comes across as creative because the bar is very low.

I really wish that our brands and agencies will get out of their overkill mode and change perspectives regarding the content that they are producing. Till then, we can sit and critique the hell out of our not-so-great ads.

Driving Innovation towards Digital Banking – Khurram Mumtaz

Khurram Mumtaz, Head Digital and Data Analytics, Standard Chartered Bank Pakistan talks about innovation based growth and how is the bank ensuring customer conversion towards digital banking.

Synergyzer: Since the past few years, SC seems to be revamping its customer base. What is the rationale behind it?
Khurram Mumtaz: Standard Chartered Pakistan has been increasing its customer base, not only through traditional banking methods rather also by mainly introducing digitization as an acquisition channel. Our strategy is to acquire general mass with the launch of our digital bank – our SC Mobile Application. We’re the only bank in the industry to offer two things that set us apart from our competitors: Biometric verification through our mobile application and instant account opening. The idea is to enhance our consumer reach through digital means where customers transact and bank with us through Online and Mobile Banking.

Synergyzer: What does this entail?
Khurram: Our goal is to give customers the option of banking on the go. The process is transparent and straight forward. All the existing customer checks are there to ensure that our customer’s data is confidential, and the risk of potential fraud is mitigated in the best possible manner.

Synergyzer: When did your digital transformation journey begin internationally and then in Pakistan?
Khurram: Digital transformation is an on-going process, catalyzed by the introduction of new technologies, which help in solving problems through the best available technological means.
Our digital transformation journey began decades ago worldwide, and SC Pakistan has been a part of it since the last 10 years. However, it all got accelerated during the last year or so, due to SC’s digital integration mandate and State Bank of Pakistan’s digital regulations directive.
These led us to invest heavily in technology, upgrading our core systems and application.

As a financial institution, it is a challenge to keep up with the rapid changes in technology and be able to adapt to them.

Synergyzer: What is SC’s innovation model about?
Khurram: Innovation at SCBPL is focused around ease of customer.
What makes us different from the industry is that we have integrated biometric verification in our application. This means that a customer can give their biometrics from the comfort of their home rather than going to a branch and waiting in lines. Apart from that, with our upgraded backend systems, our customers have their activated account numbers within minutes of application submission. In layperson’s terms, a customer will start the application and by the end of it, their data will be biometrically verified, they will have their account numbers and can conveniently start transacting.
Besides this, our innovation model is based on the security of transaction, data information and transparency of systems; service enhancement i.e. offering customers a wider range of services through digital channels, with 24/7 availability & accessibility.

Synergyzer: SC has a digital-centric conversion-based model. This seems to mean that SC is targeting Gen Z who will start saving or utilizing wealth-building banking products sometime in the future. Yet, currently most wealth lies with the older generations. So what target market is SC looking at in Pakistan? And how is SC as a bank envisioning to retain its equity while it steps into the future?
Khurram: Standard Chartered is currently in the process of revamping the ideology of banking across all demographics. Our aim is to make this process seamless for all customers regardless of age. With the launch of digital banking, we have seen our working population inclined towards banking on the go, followed by students. The wealth may lie with the older generation, but that doesn’t mean that we as a bank differentiate between our clients. With footprints across the country, we are still providing banking services through digital means, as we all know that is the future. As a bank, we have retained our clients over the decades because we are Here for Good.

Synergyzer: What challenges is SC facing in terms of targeting Gen Z?
Khurram: To understand the needs of our clients, regardless of demographics, we conducted various surveys and studied the market and the propositions. When it comes to Gen Z, they are true digital natives. They understand the importance of time, convenience and security. This generation can adapt to changes very quickly.
As a financial institution, it is a challenge to keep up with the rapid changes in technology and be able to adapt to them, but that’s a challenge that the whole industry is facing.

Synergyzer: Any ATL mediums that SC is utilizing?
Khurram: All the major airports in the country have been branded by SC over the last couple of years, which is very much according to our target market strategy. However, we understand that information travels much faster through digital and social media platforms. Therefore we use platforms such as Facebook, Google and LinkedIn to promote our products. We work closely with our analytics and marketing teams to ensure that the right message is sent to the right client. Social media is a two-way communications tool for the bank’s followers. It is used to address queries and complaints of clients and prospects as well as to generate leads for SC Pakistan’s products. Hence we use social media as an advertising platform to communicate with and address our audience.

Pakistani digital creative agencies are less cost intensive, and have the potential to produce effective content in a shorter span of time and that’s what brands need to capitalize on.

Synergyzer: How is SC retaining current customers who may not be as tech savvy?
Khurram: Standard Chartered mobile banking application is the easiest and most straightforward banking application in the market. There’s nothing confusing about the interface either. There are tutorials available on our website for services that we offer over our digital platforms, and the availability of those tutorials is frequently communicated to our customers, so that they are aware of what they can achieve through their application or online banking.
Apart from that, we have world-class service centers a.k.a. branches for such customers where they are facilitated for all queries. When a customer walks into any branch to get a certain request processed, we make sure that they are made aware of that service’s availability on digital platforms, so that the next time they want to perform the same request, they can do that from the comfort of their home.
In the end, it all comes down to creating customer awareness of what all our digital platforms are offering. Building the bank’s credibility and presence on all mediums has helped us in retaining our customers and increasing our customer base.

Synergyzer: SC’s online banking app has been developed internationally, and the same app caters to all markets worldwide. What challenges do you face with this app in Pakistan?
Khurram: Every country in the region has its own application that is developed centrally. Similarly, every region has their own digital transformation journey and they are adapting accordingly. As the application is developed internationally, it meets international standards as well as regulatory requirements providing customers with better security and a simply ‘wow experience’.

Synergyzer: How does SC ensure consumer data security?
Khurram: We hear about fraud and phishing cases frequently. Data security and consumer confidentiality are two very important factors that SC takes very seriously. We have controls in place for our Online Banking as well as the SC Mobile application, and we go above and beyond to ensure that our customers have additional security. Our transactions are compliant to regulatory requirements as well. Also, we tend to educate our customers frequently through different modes of communications, including SMS and emails. The information regarding phishing and frauds is published on our website as well.

Our digital transformation journey accelerated last year due to Standard Chartered digital integration mandate and State Bank of Pakistan’s digital regulations directives. This has allowed us to invest heavily in technology and upgrade our core systems and application.

Synergyzer: What is your opinion on Pakistani digital creative agencies versus international innovation agencies?
Khurram: Creative agencies in Pakistan have taken their time to maneuver the curve and some still have a long way to go. We can see that new digital agencies and boutique agencies have a digital-first approach, but the older, bigger traditionally-driven creative agencies have yet to catch-up.
If I were to compare local digital agencies with international ones, I would say we have more talent and we can produce better content. Here I would also like to point this out that internationally, the digital industry is only a few years ahead of Pakistan and creative agencies there are already up the curve, into innovation. Having said that Pakistani digital creative agencies are less cost intensive, and have the potential to produce effective content in a shorter span of time and that’s what brands need to capitalize on.

50 Years Solid – Amreli Steels

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Amreli Steels, earlier this year, celebrated fifty years in business with their campaign 50-years-SOLID, to establish the fact that the brand has been a part of people’s lives for the last 50 years and has strengthened the foundations of their most precious physical spaces: their homes.

They believe that since the modern audiences have evolved in today’s digital age, it is a tall order for a communication to connect and resonate emotionally with customers;especially when it comes to technical products such as steel rebars, the challenge becomes ten-fold. “With this context in mind, I think we have achieved something spectacular with this recent campaign,” says Hadi Akberali, COO, Amreli Steels.

According to him, the 50-year-SOLID campaign was conceived after six to seven months of hard work and has received an overwhelming response, not just from Pakistan, but also from around the world. The plan is to continue with this campaign for 2022.

Amreli Steels, today is the go-to brand for all construction projects of big scale and repute and the most well-known steel bar manufacturer in the country. However, the brand (like any other success story) started out very small. “Steel has always been in our blood. Our family has been into the steel business since before Independence,” says Shayan Akberali, CEO, Amreli Steels.

The journey began with Akberali’s great-grandfather’s small hardware shop in India which sold nails, wires, files and a variety of building materials. The family migrated to Pakistan in 1947 from a village in Gujrat, India called Amreli. “As was the norm of the time, our family became intrinsically linked to Amreli and the family members were addressed as ‘Amreli-walas,” adds Shayan Akberali.

After moving to Pakistan, the family set up a similar retail setup in Karachi as they had previously in India. Although the ambition was to move into manufacturing, he says the conditions of the era were not conducive for steel-related industries in West Pakistan, hence the family moved to East Pakistan to set up a manufacturing unit. That was when Amreli family’s industrial journey began.

In East Pakistan, the family setup 19 companies of steel-rolling and other allied products. After the fall of East Pakistan, the family moved back to Karachi and established Amreli Steels in 1972, with a focus on producing reinforcement bars. Shayan and Hadi Akberali’s father, who is also the Chairman of Amreli Steels, led its modernization project in the 80s when he brought Pakistan’s first automatic steel-rolling mill to Karachi from the United Kingdom.

“This ambitious project turned out to be a game-changer for our business and a cornerstone of our business philosophy. It gave us a competitive edge in the market in terms of volume and quantity. Since then, we have been continuously striving to invest in state-of-the-art technologies and have even made this notion a part of our mission statement,” says Shayan Akberali.

The company takes pride in being a true ‘brand of firsts’ for the steel industry of Pakistan across all disciplines. “We were one of the first to introduce ‘Grade 60’ rebars based on American Standard ASTM 615 in 1989; the first to introduce G-500 rebar, based on British Standard BS 4449 in 2005 (that offers upto 15% cost-saving in construction); the first to introduce a fully-automatic rolling mill in Pakistan, as well as the first to introduce 5th generation Red-Ring Rolling technology in 2015, which is the latest technology available globally,” explains Hadi Akberali.

The company has steadily built a comprehensive distribution network across the country to cater to all construction segments. While their head office is based in Karachi, the plant is located in Dhabeji, with offices in Hyderabad, Sukkur, Multan, Lahore and Islamabad along with their warehouses in Lahore and Islamabad, with a combined dispatching capacity of 20,000 tons of rebar per month that feed into the northern retail market. The company has over 400 retailers and channel partners across all provinces.

Some of the most iconic projects of Pakistan that have been strengthened with Amreli Steels include Jinnah International Airport Karachi, Dolmen Mall, Lucky One Mall, Allama Iqbal Airport and Serena Hotel Islamabad. “In recent years, we have managed to leverage our excellent business reputation and convert it into consumer relevant brand equity, which has paid dividends in the retail segment which primarily caters to commercial and residential builders and people independently building their homes,” adds Shayan Akberali, and adds that the company is the volume leader in the retail market.

Talking about their target market, Hadi Akberali says that although the company caters to construction requirement of all scales and varieties through their channels, construction as an industry is a very complex machine. The onus of the final purchase decision falls on different stakeholders in line with the scale and scope of construction. “We always target the ultimate decision-makers for the purchase decisions and have enjoyed the reputation of being the brand-of-choice for all quality conscious architects, structural engineers, local and foreign contractors and project directors of mega projects,” he says.

As for competitors, Shayan Akberali says that it might sound very unconventional but Amreli Steels’ biggest competitor is the Amreli Steels of yesterday. “We have always pushed ourselves and operated out of our comfort zone and have been the first ones to take a leap in the pursuit of innovation; this is why, we have become the standard-bearer of Pakistan’s steel industry and this is precisely why the prices set by our brand in the market becomes a benchmark for other players to peg their prices against.”

Although happy about the fact that new players are entering the market and the older players are also upgrading their technologies (“such investments are positive developments for the category and the country and the national demand for steel rebars, which is about four million tons per annum and not being fully met by local manufacturers”), he says rebars made from obsolete technologies that do not comply to any standards are still being illegally produced in the country and this remain a challenge as it hurts the consumers as well as the documented economy.

The company has set a target in their mission statement of achieving a sale of 1.5 million tons of rebar per annum. As to how and when that happens, they believe is dependent upon macroeconomic conditions and government policies, because companies that are global leaders in steel have managed to achieve their positions by implementing long-term plans for supporting industries. “The steel sector of Pakistan has not had that level of support yet. We know that the need and demand both are there, but what steel companies need are long-term roadmaps from the government that do not change with the volatile political environment of our country. We need a minimum of 10-years stability in policies and regulations to realize our true potential,” concludes Shayan Akberali.

Tracking the Tube- October 2019

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The infographics are based on the data collected and provided by Media Monitors Pakistan.

Top Genres Based on Commercial Airtime (CAT)
News remained the most advertised genre for advertisers, followed by entertainment similar to the continuing trend.

Top 10 Advertised Brands
Kurkure was the most advertised with 15,000 airtime minutes, while Mirinda had the highest number of spots- 50,000-in October 2019.

Top 10 Advertisers
Pepsi Pakistan is the leading advertiser for October 2019, followed by Unilever Pakistan in terms of spot frequency, while advertising airtime is the same for both.

Top 10 Advertised Categories
Beverages advertised the highest during October 2019.

Top TV Channels
24-Hours
Capital TV is leading the list with 14,000 minutes.

Top News Channels 
24-Hours
Capital TV was the most advertised on news channel with 14,000 minutes advertised in October 2019.

Top News Channels
Prime Time: 8pm to 12am
Capital Tv was the most advertised on news channel during Prime Time with 3,000 minutes in October 2019.

Top Entertainment Channels
24-Hours
Express Entertainment got the most commercial airtime from advertisers in October 2019 with 12,000 minutes of airtime.Top Entertainment Channels
Prime Time: 8pm to 12am
Express Entertainment and Play Entertainment got the most spending from advertisers during Prime Time in October 2019.

Top Movie Channels
HBO was the most advertised on movie channel for October 2019 with 935 CAT minutes.

Top Sports Channels
Ten Sports secured higher CAT minutes in the month of October 2019, amongst the two sports channels. 

Top Kids Channel
Kidzone Plus secured the highest advertisements of 3,075 CAT minutes in this category. 

Top Music Channels
8XM was the most advertised on music channel with 11,409.

Timeband Analysis
Interestingly, the most advertisements are run during the afternoon, followed by Prime Time.

Top 10 News Programs
Aaj Pakistan was the most advertised news program in October 2019, aired by Aaj News.

Top 10 Entertainment Programs

‘Ek Haseena Ek Dewana’ on Urdu 1 was the most advertised program in the entertainment genre during October 2019.

About Media Monitors Pakistan
Media Monitors Pakistan is the sister concern of Medialogic Pakistan. Media Monitors is an advertisement tracking company which provides monitoring service for more than 80 TV Channels being viewed in Pakistan.

The Black Swan of Advertising

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The nature of water is mesmerizing. Whether you pour it in a round glass, a tall jug, spill it on the counter or store it in a bottle, it will adapt according to its surrounding. Sometimes it’s cold, sometimes it’s hot, and sometimes it’s just room temperature. This is a very fascinating phenomenon when you think about it. Similarly, dance molds into any form of expression. That is the strength and beauty of this art. Unfortunately, this is the basic knowledge that we lack about performing arts in advertising. Dance is still categorized as a red-light activity in our society and those who indulge and devote themselves to it are not given a lot of respect.

Advertising and dance hand–in–hand can make wonders happen when done the right way. It can bring people to their feet and make them groove to its tune while embedding a brand into the consumer’s mind. It’s like watching a musical which is entertaining yet it has a story to tell. So why can’t we join both together and create impactful advertisements?

Currently, what we find usually are ads like the Gala Biscuits one with Mehwish Hayat dancing around aimlessly. A very desperate approach by a brand to look cool and convince people that they emit happiness, it only made us cringe to be honest – big time!

Then, how can we expect anyone to connect when the concept itself was brainless? What are we trying to tell people when it was not thought out clearly by the people who created it?

Shaking a leg or two and adding the same auto tune with repetitive beats and approach is just going to make your ad a part of a long line of existing and forgotten attempts. It is sad to see that even the choreographers who had been a part of these projects weren’t able to do anything.

It seems as if we are desperately trying to veil the reality of how much hard work goes into doing tasks like cooking and dish washing by singing and dancing.

There are two reasons for that. One, the talent casted in these ads – whether established or budding – are not putting in enough work that is required to master the movements which would make it look appealing, followed by the backup dancers who usually are going haywire too. There is zero synchronization and when there are no ideas on how the dance moves can be carried out, we fall back on to a few male dancers who will bust their power moves in solo surrounded by a highly enthusiastic crowd which we usually encounter in a club or party. Reason number two, the self-proclaimed choreographers who are highly celebrated in our industry repeatedly do that one thing that got them the limelight and continue with it for every other ad. There are no fresh moves, no effort and certainly no attention given to the piece that is being choreographed. With all due respect to whoever is offended by this, for goodness’ sake please look around and give the people who actually hold knowledge and expertise in the matter a chance so they can show the people of Pakistan that dance is no joke.

Most of our homes are against the idea of their sons or daughters being anywhere near dance, and as much as it hurts to say this, I wouldn’t blame them. How do you expect them to see dance in a new light when they don’t get to see its full potential? They still believe that dance is shaking your body to seduce a man and inappropriate gestures which are all pointed in one single direction. If we connect advertising and dance properly with thought through and prepared choreography, chances are even those who don’t approve of dance will feel somewhat glad when they see it shifting from the wrong notion to a respectable one. I mean come on. How many women dress up and dance around while cooking in the blazing heat of their kitchen? Tossing in ingredients like pillows without a drop of sweat on their face? Or a wife, singing to her husband about her amazing dishwashing liquid when she has an enormous pile of dirty and greasy dishes stacked in the sink? The best part – it does not take a single second to wash all of them! It seems as if we are desperately trying to veil the reality of how much hard work goes into doing those tasks by singing and dancing, which I know for a fact no one believes in.

What we really need to acknowledge is that our audience is smart, they know what they want to watch and this is definitely not it. They do not wish to see random people jumping up and down on their screen, forcing the product upon the audience. People want to watch ads that are using the art of dance in proper context and with the right style of movement. It takes a person exactly five seconds to judge if a particular ad is worth their time or not, and the moment they see random dance shots with no link to the product, they bail.

One good example of how proper movements can be carried out is the Protex commercial, in which simple hand gestures were linked after being properly planned and choreographed according to the nature of the brand. It fulfilled the purpose of what the brand wanted its audience to understand – the proper way of washing hands, which embedded Protex in consumers’ minds at the same time.

Just casting someone because they are renowned is not the way to go about it, rather it needs to be checked properly that the person is capable of pulling off the routine that would be required of them; versus caving into the fact that the person they are planning to cast is a ‘big shot’, and we have to work according to them.

Celebrities featured in ads are also often not up to par. They may claim to be actors or actresses, yet do not quite know how to perform properly, which is their duty. If they wish to work on-screen then they must put in the time and effort needed to be able to dance, instead of choreographers having to dumb down their beautiful piece of art to adjust to the sloppiness of the actor or actress in question. And this is also something brands and advertising agencies should take note of. Just casting someone because they are renowned is not the way to go about it, rather it needs to be checked properly that the person is capable of pulling off the routine that would be required of them; versus caving into the fact that the person they are planning to cast is a ‘big shot’, and we have to work according to them. No! The ad industry needs to stop compromising on the quality of dance or execution – this is affecting brands which are being represented and is disrespectful to those who take dance seriously. Dance is a proper profession. Around the world there are millions of people who have reached top positions as choreographers and performers, and are changing the game of dance as we speak. All we have to do on our parts is put in effort and not compromise.

Dance is a beautiful form of art which has the power to persuade and the freedom to express. It is a tool that has the authority to hold a person’s attention with its royalty and entertain the audience with its aura. A dancer performing is as mesmerizing as the colorful sky when a sun sets with orange and mustard hugging each other and hues of pink, purple and blue dancing along their way to sleep. Let us understand the potential and value that dance brings to the table and take hold of the power that it presents us with. And
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 cut!